In his twentieth collection of poetry, John Ashbery continues to examine the themes that have preoccupied him of late: age and its inevitable losses, memories of childhood, the transforming magic of... This description may be from another edition of this product.
Ashbery's writing with the crackle of someone just starting out. It's like now that he knows he's in the canon (thanks, Bloom), he can really go looby and make English swing. The autumn leaves fall a little lighter in these poems; reverie (always present) takes a back seat to inspired goofiness. I've admired other Ashbery books--this one I loved. It's made my own elite canon of bathroom reading and not a poem's let me down. I hope I grow old just like this.
Peremptory splendours abound
Published by Thriftbooks.com User , 23 years ago
We've always been sleepily ardent in our admiration of John Ashbery, a boosterism which borders on a fanatical apathy: his perky atonality has a certain depressingly insistent gaiety about it. We value the kinky ecumenism between the patois and the mandarin, the somewhat dopey collision between the vernacular and the highfalutin. We can't wait until the biography comes out, along with its subject, so we can gain some insight into his methods. We have here lyrics of a rehearsed suddenness, of a customary unpredictability: language whose smooth bumps and well-paved potholes inspire both fearer and farer, both reader and rider, to explore more deeply the simplistic intricacies of Ashbery's frabjously deadpan patois. The images collide in an amiable showdown, a triumphantly graceful slapstick, a dreadfully solemn opera bouffe, which we cannot readily forget. Herein we have the greeting and the greening of a life with all its happy calamities and soulshattering lucky breaks -- an ennui that is at least as jazzy as those halcyon ecstasies of yore, those drab celebrations of the past's disastrous victories.
Negative Capability
Published by Thriftbooks.com User , 23 years ago
Aw nerts this guy is too much for me. I feel like one of the girls with names like Linda, Ruth, and Pat from the 1940s who stand next to an airplane when this poet comes along from the next century. "Your Name Here", the very title, suggests his "negative capability" is acting up again, with results typically mind-blowing, keeping everyone guessing. I rank this almost on the level of the great "Can You Hear, Bird."
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