An important new appraisal of the earliest surviving major monumentof Buddhist art in China, the Yungang cave-temples, this book contendsthat there are sharp temporal and conceptual distinctions between thefirst five caves and all the others. Basing his argument on changes invisual features and in patronage, James Caswell offers a new andchallenging interpretation of the history of the caves. The Yungang caves, which are a major Chinese monument and...