In Worlds Within, Elina Gertsman investigates the Shrine Madonnas, or Vierges ouvrantes--sculptures that conceal within their bodies complex carved and/or painted iconographies. The Shrine Madonna emerged in Europe at the end of the 1200s and reached a peak of popularity during the following three centuries. Gertsman argues that the appearance of these objects--predicated as they are on the dynamic of concealment, revelation, and...