Maxfield Parrish enjoyed tremendous popularity throughout the early decades of the twentieth century. Bruce Watson, writing in Smithsonian magazine, deemed Parrish the "comman man's Rembrandt." It's said that during the Depression, a Parrish illustration was displayed on the walls of one out of every four American homes. The artist's romantic, richly colored images of winsome maidens and faraway places continue to appeal to modern audiences.
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