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Words of War: The Civil War Battle Reportage of the New York Times and the Charleston Mercury and What the Historians Say really Happened

As the divided nation threw its sons into civil war, the home front demanded to know what was happening. Newspapers, North and South, responded by sending special war correspondents into the... This description may be from another edition of this product.

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Format: Hardcover

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Customer Reviews

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Wise Words

This is a fascinating book, not just for Civil War buffs or journalism junkies - but for any of us who get a daily news fix from the newspapers, TV or the Web. It reminds us that we should always bear in mind who's delivering the information. In his book, The Words of War, Mr. Bracken takes a very novel approach to a discussion of the Civil War, contrasting the coverage of several wartime events by two newspapers from two disparate regions, The Charleston Mercury of South Carolina and the northeast's New York Times. The differences in the reporting are striking, with the tenor and the details differing greatly. How interesting it is to read news reports from over a century ago against current events. The politics, the war, the economy and the specific issues might vary; now it's not the North and the South, as much as it is the red states and the blue states. This book serves as a terrific reminder that we must continue to question the objectivity and validity of the information we get. I highly recommend it.

Will appeal to many

The old axiom, "History is written by the winners," is essentially rejected in Donagh Bracken's new book, The Words of War. Bracken compares the Civil War battle reportage of the New York Times and the Charleston Mercury, juxtaposing the articles back to back. The result is a clear demonstration that history, at least during the many battles of the Civil War, is simply written by those who happened to be there. In his introduction to the book, Bracken writes, "When the Civil War started, American journalism was put to the test. It was the start of the modern age of journalism, and it was a rough start indeed." The formative years of American journalism saw newspapers operated almost exclusively as propaganda organs, owned by some political person or party and used primarily to persuade the public for one cause or another. But when the Civil War came along, the very purpose of newspapers changed. The public wanted information that was current, demanding up-to-date reportage of events that took place hundreds and thousands of miles away. Newspaper editors switched the focus of their papers' content from propaganda to covering the facts of battle, the "who-what-when and where" of it all. While the papers in the North and South always had different takes as to the "why" element of battle reportage, they still had to meet the chief demand of their reading public: that they get the facts, preferably as soon as possible. The new telegraph technology allowed for current reportage, and for the first time in the history of warfare, correspondents provided stories in a timely fashion. New York was the newspaper capital of the country when war broke out, boasting 17 dailies. Many were pro-South and only five of them supported President Abraham Lincoln. Bracken focuses on one of those five, the New York Times, and its considerably talented editor Henry J. Raymond. Long interested in politics and journalism, Raymond was a principal founder of the New York Times in 1851 and also helped create the Republican Party after he left the Whigs in 1856. In contrast, Bracken presents the firebrand editor of the Charleston Mercury, Robert Barnwell Rhett. Under the wonderful pseudonym "Hermes," Rhett penned the editorials that would lead South Carolina to be the first state to secede on Dec. 20, 1860. "He was quick of mind, brash and self-confident," writes Bracken, "and of the latter, annoyingly so to some." Rhett had considerable editorial influence over the Charleston Mercury, which was owned by Rhett's family. Bracken is described on the book jacket as "...a writer of long standing having written extensively for newspapers and magazines for thirty years on subjects ranging from world history to economics." His familiarity with the Civil War subject matter is obvious in The Words of War and his approach to writing the book is organized and efficient. Each chapter presents a battle, beginning with an author's commentary that sets the context. Then Bracken prints

An inherently fascinating, impressively informative, enthusiastically recommended contribution

Beginning with the firing on Fort Sumpter and concluding with the Appomattox surrender of General Lee to General Grant four years later, "The Words Of War" is a unique and seminal contribution to the American Civil War literature. What author and Civil War historian Donagh Bracken has done is to compile and organize in chronological sequence the reports by newspaper correspondents from both the North and the South with respect to how the journalists wrote about the war for their newspapers back home. Specifically, the reporters for 'The New York Times' like Franc Wilkie, L.L. Crounse and others who were embedded with the northern Armies of Grant, Sherman, McClellan, and other officers and admirals in the Eastern and Western Theatres; and the reporters for such southern newspapers like the 'Charleston Mercury' like Robert Barnwell Rhett Sr. & Jr. and George William Bagy (under the pen name of Hermes). The northern and southern newspaper accounts are placed in juxtaposition with each other making for an inherently fascinating, impressively informative, enthusiastically recommended contribution to personal, academic, and community library Civil War Studies reference collections and supplemental reading lists.

Reporting the Civil War

Fascinating perspective on the role journalism plays in guiding the minds and hearts of the public. The same events told from the perspective of the participants. Civil War scholars will want to add this to their collections!
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