Wonderful Town: New York Stories from the New Yorker

by Maria Tucci, Joe Morton, Tyne Daly, et al.

Book Overview

New York City is not only The New Yorker' s place of origin and its sensibility's lifeblood; it is the heart of American literary culture. Wonderful Town collects superb short fiction by many of the magazine's and this country's most accomplished writers. Like all good fiction, these stories take particular places, particular people, and particular events and turn them into dramas of universal enlightenment and emotional impact. Here New York is every...

• Format: Paperback
• Language: English
• ISBN: 037575752X
• ISBN13: 9780375757525
• Release Date: May 2000
• Publisher: Modern Library
• Length: 528 Pages
• Weight: 1.23 lbs.
• Dimensions: 0.9" x 6.1" x 9.2"

Customer Reviews

New York is...

David Remnick's introduction contains a short piece from The New Yorker's first issue with each line beginning with 'New York is...'. Of course, New York is many things: a host of contradictions, a furious experiment, a melting pot, a city that never sleeps (I couldn't help it), and often a stereotype that needs to be more fully examined. This collection of stories from the magazine assists that examination. Commencing with Cheever's The Five-Forty-Eight we know to expect a raw New York. This particular tale reminded me of his contemporary, Yates' Revolutionary Road. Other notables include Shaw's Sailor Off the Bremen which shows that in 1939, New Yorkers were well aware of Nazi activities, Taylor's A Sentimental Journey demonstrates that there is no need to rush manhood, Benson's Apartment Hotel warns not to switch your routine, and Thurber's The Catbird Seat has a comedic Mr. Ripley as the main character. I have to reserve some major praise for Salinger's Slight Rebellion Off Madison which shows us a bit more of Holden Morrisey Caulfield whose angst has him railing against "guys fitting your pants all the time at Brooks". The Cafeteria by Singer was also a standout that lingers long after the last line. Overall, a tremendous collection from a magazine that has played such an incredible role through the decades of finding and remaining loyal to authors who challenge and enrich their readers.

Wonderful collection

The opening author is John Cheever. A corporate man and a corporate secretary meet at her place for a drink. He is estranged from his wife, the father of a friend of his son, and, finally, the woman, who manages to humiliate him. There is a story by Roth about a fictitious quiz show contestant. Tales by John O'Hara, Laurie Colwin, Jonathan Franzen, and Frank Conroy appear. The Franzen entry was used as a chapter or at least an incident in CORRECTIONS. A character in a Nabokov story has referential mania. Jamaica Kincaid in her account of an overseas visitor speaks of day old food stored in a refrigerator. John McNulty writes of a bar, of course, and Hortense Calisher of Greenwich Village. J.D. Salinger's contribution is a story featuring Holden Caulfield and Pencey Prep. Renata Adler writes in stylish fashion using a fictional "I" of life in a brownstone. Isaac Bashevis Singer comes along with yiddish-speaking cafeteria goers. Veronica Geng has a take on conspicuous consumption. Susan Sontag provides a surprisingly buoyant account of chronic illness. The narrator of Julie Hecht's story believes that buildings in New York should be built to the specifications of Prince Charles. "Mentocrats" by Edward Newhouse concerns schoolboys promoting the idea of a mental aristocracy. Daniel Menaker has a character say that the banality of evil is outstripped by the banality of anxiety neurosis. The psychiatrist in the story tells the first character he doesn't have the courage of his own contempt. In eliminating some regrets you create others according to Jeffrey Eugenides. Dorothy Parker, E.B. White, Elizabeth Hardwick, Bernard Malamud, and Saul Bellow are all present in this collection of stories. Bellow's story gives rise to the thought that everyone has burdens. Remnick's selections are a joy.

Terrific!

John Cheever, Woody Allen, and Bernard Malamud wrote my favorite stories in this wonderful collection about life in New York City. Three quick thoughts: (1) While the dynamic captured by some authors seems a little dated (Dorothy Parker), most of the stories resonate with characters, experiences, and social groups that are common today in New York. (2) The collection offers 44 stories and 44 authors. This helps a reader see how these authors are great in different ways. (3) This collection ends, once and for all, the impression that all stories in The New Yorker are the same. Buy this book!

A must-read for literary fiction fans

This is not only a good anthology to read for entertainment, but also a necessity for anyone who wants to write literary fiction. The New Yorker is the cornerstone of American contemporary literature, and this book captures a good sampling of the stories which have appeared in its pages the last 50 years or so. I particularly liked DEisenberg's story, and the fact that JCheever's story appears first. I think the book should have had a few more lighter pieces, and wonder why McInerney was skipped over.

salinger fans, buy it

This collection contains "Slight Rebellion off Madison." At last, one of the "lost" Salinger stories has been published! "Slight Rebellion" is a story about Holden Caulfield before "Catcher in the Rye." A goldmine for students of Salinger.