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Paperback William S. Hart: Projecting the American West Book

ISBN: 0806165030

ISBN13: 9780806165035

William S. Hart: Projecting the American West

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Format: Paperback

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Book Overview

Stage actor turned Hollywood star, William S. Hart (1864--1946) was for movie fans a cherished symbol of the romantic Old West. His silent westerns offered excitement, lessons in righteous behavior, and a nostalgic vision of the American frontier. This intriguing biography explores the personal and professional life of Hollywood's prototypical cowboy hero.

Born in Newburgh, New York, Hart grew up in a Victorian atmosphere that gave rise to the rigid morality prevalent in many of his films. From 1914 to 1924, he appeared in or produced more than sixty movies, but it was not until he abandoned Shakespearean characters for parts in The Squaw Man and The Virginian that Hart truly assumed his western persona.

For the first time, readers are given insights into Hart's somewhat lonely and tragic personal life, his quarrels with exploitive studios, and his association with such latter-day frontier legends as Charles M. Russell, Bat Masterson, and Wyatt Earp, who regarded him as a kindred spirit. Other highlights of this book include excerpts from his previously unpublished letters to starlet Jane Novak, Hart's one-time fianc?e, as well as numerous photographs from studio and private collections.

Drawing on Hart's papers, primary sources of the Motion Picture Academy, oral histories, and contemporary newspapers, this chronicle of Hart's life is the first since his own starry-eyed autobiography, My Life East and West, appeared in 1929.

Customer Reviews

1 rating

Prototype of the Western Star

William S. Hart and Tom Mix helped establish the model of the western action star. Mix was a lovable character on screen who presaged Gene Autry, and Hart expressed a deeply thoughtful, stoic, Shakespearean quality that survived into the best work of Gary Cooper, John Wayne, and Clint Eastwood. Ronald Davis provides the first indepth look at Hart's life and craft. Hart is not always a pleasant person, but great artists often do not fit the mode of a "nice guy." Hart was deeply interested in the West and formed close friendships with some of the region's great characters (such as Wyatt Earp) in an attempt to broaden his understanding of what the "West" meant. This biography is well written and reads nicely, drawing on newly available letters from Hart's collection. Anyone interested in early Hollywood or the development of the Western should have this book on their shelf. Let's hope Davis will turn his attention to that other great early Western star, Tom Mix.
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