In 1912, Alfred C. Barnes, later of the Barnes Foundation, sent his friend William J. Glackens (1870-1938) to Paris to purchase the works of Pierre-Auguste Renoir (1841-1919). Subsequently, he had access to all of the new European modern art that Barnes' collection acquired including Paul C zanne, Henri Matisse and Pablo Picasso. Examining the similarities and differences in Glackens' late style and Renoir's work, how Glackens' style grew out of...