Will

by Christopher Rush

Book Overview

March 1616: William Shakespeare is dying, with his lawyer at his bedside. It is time to dictate his will. But how can a man put his affairs in order before he's come to terms with his past? Acclaimed... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 1590202546
• ISBN13: 9781590202548
• Release Date: August 2009
• Publisher: Harry N. Abrams
• Length: 459 Pages
• Weight: 0.80 lbs.
• Dimensions: 1.0" x 5.4" x 8.0"

Customer Reviews

Perfect!!!!

This book is so smart and enthralling. I wish I could get a discount for buying multiple copies because it is absolutely THE PERFECT holiday gift!

The dying, lusty Bard recalls his life

Rush's narrator is The Bard himself, William Shakespeare on his deathbed in Stratford in 1616, dictating his will to his lawyer and slobbering over the maid. Novelist, poet and Shakespeare scholar, Rush ("Hellfire and Herring") knows his drama, and the dying playwright's vivid remembrances are peppered with lines from his plays and allusions to their origins. Supplying his gluttonous lawyer, Francis Collins, with food Will can no longer savor and drink he swills behind the back of his shrewish wife, Anne Hathaway ("Cold Lady Capulet. Not a complete figment of my imagination, Francis. Nothing was."), Shakespeare reflects on his 51 years. He begins with his boyhood and the horrible stories that stuck with him of witches slow roasted before ravening crowds, his father's business failure, his obsessive lust for Anne Hathaway, his early marriage, his children. The structure - the dialogue with Francis - keeps the reader at a remove while the bard's voice brings to life the stew of Elizabethan life - waves of plague, poverty, disease-ridden whores, filth, dangerous conspiracies of religion and politics, and the theater in all its posturing, passion, art and rivalries. And death. Lots of death, including the death of his son, Hamnet, and the murder of Christopher Marlowe. But mostly death is commonplace, brutal and ever-present. He speaks of an actor friend struck dumb by the loss of his entire family in the 1593 plague: "Give sorrow words, we urged him. The grief that will not speak whispers the o'er fraught heart and bids it break." And then he adds that the man soon remarried and had a new brood. There's plenty of scholarship too and some of it grows didactic. In a discourse on the tragedies Will says, "I wanted to leave the audience with the feeling that everyone is guilty." And "The hero has to die - we know that....But it's the mental suffering that constitutes his real tragedy." Rush's language throughout is intense, unsparing, poetic, lurid and too often overwrought. The bawdiness is unrelenting, coarse and finally repugnant. The graphic description of women's body parts grows numbing. And the dialogue structure, following Will's will (oh, yes, there are lots of puns) feels artificial as well as distancing. Still, it's a monumental labor of love and scholarship. The narrator's powerful intellect and immense capacity for life comes through, drawing the reader into the tumult of Elizabethan England. And the writing, while sometimes too much, is also rich and, well, Shakespearean.

FANTASTIC BOOK

WILL is a FANTASTIC BOOK with a fresh new twist on Shakespeare. Buy it - you'll enjoy it !

Make it your Will.

Simply brilliant! Beyond being a wonderfully absorbing read, upon completion of the book, one becomes almost shocked to remember that the many extraordinary chapters of Shakespeare's most intimate autobiographical thoughts and memories have been brought to the page by a modern hand. Just astonishing! Do not let it be missed.