Composed of interconnected stories that move within and around a small Catholic community in India, this debut collection heralds the arrival of a graceful, sparkling new voice. Nine-year-old Marian... This description may be from another edition of this product.
Like Lahiri did with displaced Bengali families, Jones does with Catholics in Santa Clara (read Santa Cruz) in bombay. Through many tiny but deep and loosely interconnected stories, Jones draws the lives of a people for many generations. How she has achieved the kind of insight into the tiniest of details i do not know, but i was struck by the nuances that only a person with keen observation would notice. A fascinating read for anyone, particularly Indians abroad.
A must read
Published by Thriftbooks.com User , 17 years ago
This is a book of very beautifully written stories that happened in an unfamiliar place. The stories are very personally, yet very restraint. I picked up the book without any expectation, but found myself completely absorbed in these short journeys. I highly recommend the book. I look forward to Nalini's next stories.
What I call Wonderful
Published by Thriftbooks.com User , 17 years ago
a beautiful, synesthetic series of interlaced tales of 3 generations of an extended Christian Indian family as Bombay is turning into Mumbai and some of them are turning into Americans. Sings like a garden in spring.
Remarkable debut
Published by Thriftbooks.com User , 17 years ago
Nalina Jones' intertwined stories are, first of all, about something interesting: the lives of an extended family in an Indian town where Catholicism is the dominant religion. Secondly, she "connects" stories in beautifully natural, organic ways, rather than simply trying to make a collection collect. Thirdly, her stories trace the ways that small actions and traits of character affect family members, and shape children. Indeed, her treatment of children is superlative: she respects their seriousness even as they make childish mistakes, and they bear serious consequences. I smiled often as I read these stories, because the portraits are tender and quixotic, but I also often caught my breath when I recognized where a story was going. Writers could learn a lot just by studying Jones' epert use of scenes. She is so skilled at manipulating point of view, psychic distance, and pace, you don't notice how often she is tweaking the "rules" of contemporary fiction (especially the idea that you can't switch POV, which she does beautifully). Above all, these are stories of character, of flawed, loving, intelligent people navigating changes in their society and even movements to the U.S. Readers who like Indian literature will love this book, but so will people who just plain love good stories about sympathetic characters caught up in their own "small" lives.
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