A delightful period piece of Paris in the late 1880's, We'll to the Woods No More (Les lauriers sont coup s) retains its importance as the first use of the monologue int rieur and the inspiration for the stream-of-consciousness technique perfected by James Joyce. Dujardin's charming tale, told with insight and irony, recounts what goes on in the mind of a young man-about-town in love with a Parisian actress. Mallarm described the poetry of the telling...