Welcome to the Desert of the Real: Five Essays on September 11 and Related Dates

by Slavoj Žižek

Book Overview

Liberals and conservatives proclaim the end of the American holiday from history. Now the easy games are over; one should take sides. ?i?ek argues this is precisely the temptation to be resisted. In... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 1859844219
• ISBN13: 9781859844212
• Release Date: October 2002
• Publisher: Verso
• Length: 160 Pages
• Weight: 0.42 lbs.
• Dimensions: 0.5" x 4.3" x 8.2"

Customer Reviews

you need to read this book

Well there are few people on this earth who have an understanding on what's going on in just about every corner of the planet, Zizek is one of those few and far in-between people. In short: you need to read this book to try and set yourself straight on what is real and what is not. It's just straight talk..... no no nonsense!

A Renaissance of Political Philosophy

I am overwhelmed by Zizek's judgment of the political situation he presents in this book. It concerns world politics after 9/11 and is still very actual. What makes this book so interesting, is that Zizek distances himself from a simplifying (left-wing) critique of American foreign politics and gives at the same time a compelling interpretation of the complexity of the "clash of cultures" that haunt still our Tv-News today. Against a cynical attitude towards politics Zizek's defends what he calls a "political act" of truth. This is not the slogan of a new philosophical ideology but a defence of a truth that can't be "relativiced" by post-modern Philosophy. Zizek thus revives political philosophy by overcoming philosophical patterns that dominated the second half of the 20th century.

a great book

~~~I truly enjoyed this book, which provides great insight while analyzing the current situation of the States. Not "with us or against us," as Bush constantly stated,but we are against them, since both military leaders in the US and Bin Laden's terrorists are following the same logic. What happend in September 11 had happened in third world countries everywhere, but we Americans watched them as virtual reality until this has become real in our territory. Nothing can justify what happened in~~ September 11, just as nothing could~~ justify what happened in third world countries, which had appeared as spectatles until that point. It's stupid to exchange one terror against another, because this will entail endless circle of violence. What one must do is to be awake from this rosy dream, to realize the existence of the desert of the real, and resist "them", who have been making such terrible spectacles happen everywhere,Mid-East, Africa, Asia, but not simly in the US, which has~~ become part of the desert of reel.~

Psychoanalysis meets 9/11

In my opinion,Zizek is the most profound cultural analyst writing today, and this short collection of several contemplative essays on 9/11 succeeds in truly saying something new and important about the scope of the events that transpired. Zizek's writing style is famous for achieving a mixture between abstruse, Lacanian psycho-analysis and popular culture. This makes him perhaps one of the most difficult but most enjoyable reads out there in the cultural criticism market. Certainly, this stands out from the the sentimental fluff and proganda rubbish that flies off the shelves. Zizek challenges us to think outside the canard of 'fundamentalism' vs. American hegemony and capitalism.

Reality as illusion

To people who come to this book looking for an analysis of the attacks on the World Trade Center this book will appear to be peculiar and eccentric, and therefore in questionable taste. Slavoj Zisek is a Marxist philosopher from the formerly Yugoslav republic of Slovenia. (At the same time he is quite caustic against those who think that Milosevic's horrors could have been avoided by an appeal to the cosmopolitan virtues of Titoism. Not within the party framework, at any rate.) He has a special interest in the French psychoanalyst Lacan, which does not stop him from discussing other imposing figures such as Hegel, Adorno, Foucault and, suprisingly in this book, G.K. Chesterton. At the same time he discusses popular movies from "Unbreakable" to "Shrek." Like Terry Eagleton he has a fondness, and a weakness, for paradox and contradiction. A person examining this book will note that the five essays are not as concise and straightforward as they may appear. (They will also note that this book has six chapters.) The unsympathetic reader may wonder how we get from the events of September 11th to sado-masochism and "The Piano Teacher," to Judith Butler and Antigone. Given the bottomless malice of Al Qaidya towards any concept of freedom, surely, one might state, it is irresponsible to say that freedom of thought is the surest way of ensuring submission and control (as Zisek suggests in his introduction)? In fact, Zisek is a stimulating and important writer and the reader should take the effort to appreciate him. To the extent that this book has a thesis it is expressed on the cover. Instead of the attacks forcing the United States to rethink its attitude towards the rest of the world, it has allowed itself to view itself solely as a victim. By contrast "That is the true lesson of the attacks: the only way to ensure that it will not happen here again is to prevent it happening anywhere else." At the same time Zisek is vehement against those who showed a certain schaudenfreude at American suffering, or those tempted to euphemize Palestianian suicide bombers. On the Islamists themselves, Zisek makes an interesting point against those who wish for a "Protestant" reformation for Islam. There already has been one. Like Protestantism, the Wahabbi sect that rules Saudi Arabia rejects the accretions and growths of Islam over the previous centuries as so much quasi-pagan superstition. Like Protestantism it emphasizes holy scripture and even offers suggestions for a more practical bible interpretation. Clearly, this is not enough. Elsewhere Zisek points out that in a way political Islam is Islamic fascism, in the sense that it seeks a capitalism without capitalism, or a capitalism with its destabilizing effects.Elsewhere Zisek has stimulating things to say about "The Matrix" from which he extracts his title, and about the way that movie and others like "The Truman Show," reflect a nervous anxiety that "our" suburban life is something unreal.