Vita Nuova, La

by Dante Alighieri, Dante Gabriel Rossetti, Dante

Book Overview

Vita Nuova (1292-94) is regarded as Dante's most profound creation. The thirty-one poems in this, the first of his major writings, are linked by a lyrical prose narrative celebrating and debating the... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0140442162
• ISBN13: 9780140442168
• Release Date: January 1969
• Publisher: Penguin Group
• Length: 128 Pages
• Weight: 0.22 lbs.
• Dimensions: 0.3" x 5.1" x 7.8"

Customer Reviews

What has never been written of any other woman

Anyone who has read Dante's legendary "Divine Comedy" will know of his passion for a woman named Beatrice, who was his tour guide through heaven. But that is only the tip of the iceberg, as "La Vita Nuova (The New Life)" shows in detail. This exquisite little book describes Dante's passion for Beatrice, and the emotional rollercoaster he went through as a result. This is Dante's unsung, more intimate masterpiece. "La Vita Nuova" is a series of poems and anecdotes centering around the life-changing love of Dante for a young woman named Beatrice. The two first met when they were young children, of about eight. Dante instantly fell in love with her, but didn't really interact with her for several years. Over the years, Dante's almost supernatural love only increased in intensity, and he poured out his feelings (grief, adoration, fear) into several poems and sonnets. During an illness, he has a vision about mortality, himself, and his beloved Beatrice ("One day, inevitably, even your most gracious Beatrice must die"). Beatrice died at the age of twenty-four, and Dante committed himself to the memory of his muse. It would be a hard task to find another book overflowing with such incredible love and passion as "La Vita Nuova"; it's probably the most romantic book I have ever seen. Dante's feelings might seem a bit odd by modern standards, because Dante and Beatrice were never romantically involved. In fact, both of them married other people. But at the time, courtly love was considered the best, purest kind there is, and Dante's emotions are a perfect example of this. But Dante's love for Beatrice shows itself to be more than infatuation or crush, because it never wanes -- in fact, it grows even stronger, including Love manifested as a nobleman in one of Dante's dreams. There is no element of physicality to the passion in "La Vita Nuova"; Dante talks about how beautiful Beatrice is, but that's only a sidenote. (We don't hear of any real details about her) And Dante's grief-stricken state when Beatrice dies (of what, we're never told) leads him to deep changes in his soul, and eventually peace. And though Beatrice died, because of Dante's love for her and her placement in the "Comedia," she has achieved a kind of immortality. One of the noticeable things about this book is that whenever something significant happens to Dante (good, bad, or neither), he immediately writes a poem about it. Some readers may be tempted to skip over the carefully constructed poems, but they shouldn't. Even if these intrude on the story, they show what Dante was feeling more clearly than his prose. It's impossible to read this book and come out of it jaded about love or passion. Not the sort of stuff in trashy romance novels, but love and passion that come straight from the heart and soul. A true-life romance of the purest kind.

A mythic love

The 'Vita Nuova' is more than anything else a prelude to 'The Divine Comedy'. The Beatrice Dante falls in love with and longs for is on the one hand a figure unattainable, the love- goddess of courtly love. On the other hand she is to become the very essence of the spiritual and to guide Dante later through the Paradiso of the Comedy. The real figure and her life who he falls in love with truly is transformed in myth and mind to a kind of image and essence of Divine Beauty. As with Petrarch and his Laura the love Dante writes of ' La Vita Nuova' does not somehow strike me and move me in the deepest way, and seems somehow too literary and artificial. Lines of love of Rilke and Kafka sound more authentic to me, but perhaps this is because I am a poor reader and no medievalist. In any case this is a small classic which is prelude to a far greater one. And the real Beatrice is a small figure beside the mythic one Dante will transform into a literary immortal.

What has never been written of any other woman

Genuine romance and passion is missing from most books, either fiction or nonfiction. As a result, it's hard to come across both in such quantity as there is in "La Vita Nuova" ("The New Life"), the unsung masterpiece of poet Dante Alighieri, author of the classic Divina Comedia."La Vita Nuova" is a series of poems and anecdotes centering around the life-changing love of Dante for a young woman named Beatrice. The two first met when they were young children, of about eight. Dante instantly fell in love with her, but didn't really interact with her for several years. Over the years, Dante's almost supernatural love only increased in intensity, and he poured out his feelings (grief, adoration, fear) into several poems and sonnets. During an illness, he has a vision about mortality, himself, and his beloved Beatrice ("One day, inevitably, even your most gracious Beatrice must die"). Beatrice died at the age of twenty-four, and Dante committed himself to the memory of his muse.It would be a hard task to find another book overflowing with such incredible love and passion as "La Vita Nuova"; it's probably the most romantic book I have ever seen. It's brief and only includes one part of Dante's life overall, but it's a truly unique love story. Dante and Beatrice were never romantically involved. In fact, both of them married other people. But Dante's love for Beatrice shows itself to be more than infatuation or crush, because it never wanes -- in fact, it grows even stronger, including Love manifested as a nobleman in one of Dante's dreams. There is no element of physicality to the passion in "La Vita Nuova"; Dante talks about how beautiful Beatrice is, but that's only a sidenote. (We don't hear of any real details about her) And Dante's grief-stricken state when Beatrice dies (of what, we're never told) leads him to deep changes in his soul, and eventually peace. And though Beatrice died, because of Dante's love for her and her placement in the "Comedia," she has achieved a kind of immortality.One of the noticeable things about this book is that whenever something significant happens to Dante (good, bad, or neither), he immediately writes a poem about it. Some readers may be tempted to skip over the carefully constructed poems, but they shouldn't. Even if these intrude on the story, they show what Dante was feeling more clearly than his prose.It's impossible to read this book and come out of it jaded about love or true passion. Not the sort of stuff in pulp romance novels, but love and passion that come straight from the heart and soul, in a unique and unusual love story. A true-life romance of the purest kind.

excellent critical edition and translation of Dante's work

Dante's Vita Nuova is an unusual work: Dante alternates between verse passages, describing his love for Beatrice, and prose passages which comment critically and meditatively on the verses. This edition of the work provides editor Mark Musa's translation of the prose and verse passages, plus the original Italian text of the verses. Moreover, the second half of the book contains a comprehensive critical analysis and essay by Mark Musa running to 120 pages. So this volume is an all-in-one text-and-commentary edition.

That Which Has Never Been Written of Any Woman

La Vita Nuova (c. 1293; The New Life) is the first of two collections of verse that Dante made in his lifetime, the other being the Convivio. Each is a prosimetrum, a work composed of verse and prose. In each case the prose is a device for binding together poems composed over approximately a ten-year period. The Vita Nuova brought together Dante's poetic efforts from before 1283 to about 1292-93; the Convivio, a bulkier and more ambitious work, contains Dante's most important poetic compositions from just prior to 1294 to the time of La Divina Commedia.The Vita Nuova, which Dante called his libello, or little book, is a remarkable work. It contains 42 brief chapters with commentaries on 25 sonnets, one ballata, and four canzoni; a fifth canzoni is left dramatically interrupted by the death of Beatrice (perhaps Bice Portinari, a woman Dante met and fell in love with in 1274 but who died in 1290). In Beatrice, Dante created one of the most celebrated women in all of literature. In keeping with the changing directions of Dante's thoughts and career, Beatrice underwent enormous changes in his hands--sanctified in the Vita Nuova, demoted in the canzoni (poems) presented again in the Convivio, only to be returned with more profound comprehension in La Divina Commedia as the woman credited with having led Dante away from the "vulgar herd" to Paradise.The prose commentary provides the frame story, which does not emerge from the poems themselves (it is, of course, conceivable that some were actually written for occasions other than those alleged). The story, however, is simple enough and tells of Dante's first sight of Beatrice when both were nine years of age, her salutation when they were eighteen, Dante's expedients to conceal his love for her, the crisis experienced when Beatrice withholds her greeting, Dante's anguish that she is making light of him, his determination to rise above the anguish and sing only of his lady's virtues, anticipations of her death in that of a young friend, the death of Beatrice's father, and Dante's own premonitory dream, and finally, the death of Beatrice, Dante's mourning, the temptation of the sympathetic donna gentile (a young woman who temporarily replaces Beatrice), Beatrice's final triunph and apotheosis, and, in the last chapter, Dante's determination to write at some later time about Beatrice, "that which has never been written of any woman."Yet, with all of this apparently autobiographical purpose, the Vita Nuova is strangely impersonal. The circumstances it sets down are markedly devoid of any historical facts or descriptive detail (thus making it pointless to engage in debate as to the exact historical identity of Beatrice). The language of the commentary also adheres to a high level of generality. Names are rarely used...Cavalcanti is referred to three times as Dante's "best friend," Dante's sister is referred to as "she who was joined to me by the closest proxi