Over the course of the discipline's history, there have been many debates on the status of the "cinema". From the beginning, cinema was subjected to a high-art prejudice of literary tradition since it addresses the masses and is broadly considered 'simple' entertainment. The prevailing belief of filmmakers and cinema-writers up to the 1950s was that both the 'quality' and art-status of cinema were supposed to be provided by the film's content. Auteurism...