German artist Thomas Schütte (b.1954) is concerned with models for living, rules for making art and, in turn, the failed flights of these systems and aspirations. Schütte's art looks utilitarian - offering shelter, sustenance and companionship - but delivers false promises and alien worlds such as his museum that incinerates art, potatoes made of bronze and the artist's vision of humanity as tiny wooden audiences, two-headed hybrids or giant robotic...