The Witch's Boy

by Michael Gruber

Book Overview

A wondrous journey through the realms of magicThey call him Lump. Ugly, misshapen -- more goblin than human child -- abandoned as an infant and taken in by a witch, he is nursed by a bear, tutored by a djinn; his only playmates are the creatures of the forest, whose language he learns to speak.But when Lump inevitably stumbles into the human world, his innocence is no match for the depths of people's cruelty, which turns his heart to stone, and fuels...

• Format: Hardcover
• Language: English
• ISBN: 0060761644
• ISBN13: 9780060761646
• Release Date: March 2005
• Publisher: Harper Teen
• Length: 377 Pages
• Weight: 1.04 lbs.
• Dimensions: 1.3" x 5.5" x 7.6"
• Age Range: 12 to 17 years
• Grade Range: Grades 7 to 12

Customer Reviews

One of my favorite books

After reading the Book of Air and Shadows, I looked for another book by Michael Gruber and found this one. After a few minutes I caught onto the joke and had a great deal of fun as Gruber brought in characters from fairy tales both well known and obscure. The tone and style was so different from Air and Shadows I couldn't believe it was the same author. Both books are a great joy and now I need to get the balance of Gruber's work to satisfy the hunger for his work

A Favorite!

Great book, I think its up there with Wicked, just marketed toward a younger audience. Don't be put off by the cover, which I don't realy think fits this great book. Read it, I could not put it down!

The Witch's Boy

This Fairy Tale not only describes its own story it also incorporates many other classic fairy tales from Little Red Riding Hood to Pinocchio, each one with an added twist. Lump is the witch's boy. Abandoned at birth and taken in by a misunderstood witch. He grows up in a world of magic. He is taught by an enslaved djin and nursed by a bear. He grows up with very wrong views about people and the world. Lump thinks he is handsome but truth be told he is not handsome at all. When he finds out and is made fun of and harassed he wishes everyone who had hurt him would burn. When Lumps actions with the humans turn horribly wrong the witch and the boy must flee the sacred woods they had once enjoyed. Thus Lump is sent on a journey through many worlds and many places. After losing what he truly loves, he hides himself behind a mask of gold and surrounds himself with riches and blames everything on his mother. After abusing life he is cast from the world only to be given a second chance in which he finds himself and the people who truly love him. Michael Gruber writes about very strong emotions and creates very strong characters. His book has many twists and turns and you never know what's around the next bend. I would recommend this book. Although it is a bit slow in the beginning it begins to get more and more interesting, and slowly but surely it lures you in. My favorite part of this book is how he incorporated all the other fairy tales and gave them his own twist.

My Favorite Book

The Witch's Boy was my favorite book because it is a fantasy book that also includes many kinds of fairy tails in it. A few of those fairy tails was the witch being Little Red Riding Hood, Lump being Rumplestiltskin, and the witch was also the Fairy God Mother. These are all books I read when I was little and they are added into one book but changed around and all wrapped up in an even bigger story. My favorite part of the story is when Lump was growing up and being raised by a witch, a bear, a cat, and a demond.

A haunting tale of magic, mystery, growth, and love

One lovely spring morning, a witch ventures out to collect her daily herbs. Much to her surprise, she finds a baby in a basket outside her door. But this is no ordinary baby; it is the ugliest child anyone has ever seen, and tied to its basket is a note: "the devil's child for the devil's wife." The witch is taken aback: "Witches are supposed to eat babies, not feed them," she says. But she surprises herself by feeling an odd fondness for the ugly child, who she names Lump, and she assembles a sort of family to help her care for the boy: a she-bear, a malevolent demon, and her familiar, a cat named Falance. As Lump grows, he struggles to find his own magical powers and his relationship to the other humans nearby. In the meantime, his foster mother has the same problems as working mothers everywhere: how to balance her time between tending the Midsummer fires and caring for her child. The witch, who is more powerful than Lump understands, is mystified by motherhood. She thinks, "I have always known what to do; I see the Pattern clear as my own hand, and I follow it and am content. But there is no guide here, and every path I can see leads to some pain. Perhaps this is part of having a child; the Pattern is of no use, and there is this aching in my heart." Soon enough, disaster strikes, and Lump, the witch, and Falance hit the road. Robbed of her powers when she makes the ultimate sacrifice for her child, the witch must find a new life for herself: "It is the case that I cannot be both a mother and a witch, or not the sort of witch I was." In the meantime, Lump grows more distant, demanding, and hard to love. Fashioning themselves as The Faeryland Outcasts, the three perform magic and meet dozens of characters who will be vaguely familiar to readers from other fairy tales. THE WITCH'S BOY, though, is far more than a fractured fairy tale. Although many of the characters, settings, and situations are borrowed from folklore, the complexities of plot and theme go far beyond simple fairy stories. The conflicted relationship between mother and son, the psychological pain inflicted on the boy Lump, the ways all the characters must step out of themselves to find friendship and love, the unexpected places where magic is found --- all these elements elevate THE WITCH'S BOY from a simple fairy story to a haunting, fully developed tale of magic, mystery, growth, and love. --- Reviewed by Norah Piehl