Western Horizon

by Mary Heebner

A photographic tour of the western United States in a series of full colour panoramic views. The photographs are accompanied by commentaries and sketches. Views of the Grand Canyon, Monument Valley,... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0810945622
• ISBN13: 9780810945623
• Release Date: November 2000
• Publisher: Harry N. Abrams
• Length: 144 Pages
• Weight: 3.25 lbs.
• Dimensions: 0.8" x 13.8" x 9.8"
• Age Range: 13 years and up
• Grade Range: Grade 8 to Postsecondary

Customer Reviews

Only photography of this caliber can capture the grandeur of the West for everyone.

This magnificient book contains some of the most impressive photographs of the West I've ever come across. Macduff Everton does with color what that great photographer,Ansel Adams did with Black and White in his majestic photographs of the West. If one has ever doubted that Photography was an art,the work of these two photographers alone,should dispel that attitude. I visited Mono Lake in the early morning,during the day and in the evening;and as much as I was impressed with its scenery,I never imagined the splendor that Everton has captured in these wonderful photographs. When you look at one of these photographs,like the one on page 63 you have to be impressed with the light,shadows,clouds,forms,color,composition and all that has been captured in this photograph. Just think,this is a one-of--a-moment scene;that will change in a few short moments ,and this exact image will be lost forever,if not captured at the time. This book will be looked at over and over again,and bring back many of the secens I enjoyed in these wonderful areas.Though,try as I did at the time,I only saw a glimmer of the splendor Everton has captured in this book. It takes skill,dedication ,patience and experience to "see" and capture these scenes in the way Everton does to share with us. The book has top-notch paper,color rendition,printing and paper.However,this book has one weakness. The inside hinges are vere fragile and subject to breaking with minimal usage. I have already had to make repairs to my copy.

Panographs with an edge

I noticed that the writing on the front flap of the book jacket claimed that the images are large format panographs. After taking a close look at the first few images on pages 1-10, I came to the conclusion that these are panographs taken in 135 format not the medium format of the 120 or 220 types. Everton's notes of camera and film on page 7 confirmed my assessment. It is interesting that he departed from the usual practice of his peers by choosing the colour negative film Fuji NHG II rather than its sibling, the transparency film, Fuji Velvia 50. Though it does not have the punchy colours and high contrast of Velvia, NHG II gives softer colours in highlights and more shadow details. With negative films, mastery in controlling exposure is only half of the accomplishment, mastery in making prints is essential for bringing the final image to the masses. Everton said he developed his prints in a rental lab. If so, his craft is well done. The contrast control of each image is good with no lost of colour saturation and shadow details, even for heavily overcast landscape such as the one on Lemhi Pass (p56). About half of the images was taken at a time when a storm was approaching. Some even have a clearly visible rain curtain (p33,49,62). The panograph of the Great Sand Dune Monument (p62) is a real visual treat. The land and sky were connected by a rain pillar over the sand dune on the right, illuminated by the emerging light. The highlighted strip of the desert floor formed the visual anchor for the reader, guiding my eyes to start the journey from the lower left-hand side of the image then wander into the distant storm-covered horizon. The smoothness of the dunes form a visual contrast to the roughness of the storm clouds above. It is rare to see a rainstorm in a sandy desert let alone under such magical lighting. Capturing fleeing moments like this calls for great patience and skill on the photographer's part. The panograph of Lower Geyser Basin is my second favourite (p49). The steam pillar jetted out of the geyser is the force within the deep earth whereas the heaven is owned by the menacing storm dumping torrents of rain from above. I couldn't stop asking if this image was taken on Planet Earth or near Mount Doom of Middle Earth in Tokkien's fantasy. My other favourite is the panograph of the Lower Calf Creek Falls (p72). Here stillness and transquility was interrupted by the gushing waterfall. The branches of the two trees at the foreground formed a perfect arch that frames the waterfall. This is a stage built by Nature where we are invited to sit in front and be immersed in the sound of moving waters. The map next to Everton's preface showed not only the places where the images were taken but confirmed the warning that American wilderness is an endangered specie. The rest of the writings is simply an eloquent elaboration of this urgent issue. This book is another quality publication from Abrams Inc. I give it four ou

Peerless Panoramas!

This book deserves more than five stars for the unmatched color panoramas of the most picturesque horizons in the western United States. You could visit these sites for twenty years and not see actual scenes as luscious as these. Whether you know the West or think you would like to, I suggest that you start with this remarkable book. This is the West as you've never seen it . . . but could. The wonderful photography is nicely complemented by the essays that provide geological and historical perspectives on the scenes portrayed here.The photography is all done in 148 or 150 degree large format color panoramas. This perspective approximates what the human eyes can see, including peripheral vision. As a result, these images give you a remarkable sense of being present that is almost impossible to obtain in a book. The reproduction quality is amazingly good, and the lighting and tones vary wonderfully from one outstanding photograph to the next. Almost all are displayed over an entire wide panorama-sized page, and many extend over parts of two such pages. The feeling is so ethereal that it evokes the same sense of natural wonder that looking at paintings by the Hudson River School creates. There are in fact some parallels, as a few scenes include tiny people or animals in the foreground. The book is divided into sections showing the Great Plains, the Rocky Mountains, the Colorado Plateau, the Cascade range, the Pacific Northwest, and California. Although I have traveled extensively in the West for over 40 years, more than half of these scenes were new to me. I can see that I have many wonderful trips ahead of me to visit these locales, now that I know how gorgeous they are. Here is a list of the sites:Sand Hills, NebraskaBadlands National Park, South DakotaTheodore Roosevelt National ParkMontana PrairieBreaks of the MissouriYellowstone National Park, WyomingWaterton/Glacier International Peace Park, MontanaLemhi Pass, MontanaMores Creek, IdahoAspen, ColoradoGreat Sand Dunes National Monument, ColoradoGrand Canyon, ArizonaGrand Staircase -- Escalante National Monument, UtahGhost Ranch, New MexicoPainted Desert and Petrified Forest National Park, ArizonaMonument Valley Tribal Park, Arizona/UtahWupatki National National Monument, ArizonaMount St. HelensCrater Lake, OregonMount Shasta, CaliforniaOregon CoastBig Sur, CaliforniaSanta Catalina, CaliforniaYosemite, CaliforniaMono Lake, CaliforniaJoshua Tree National Park, CaliforniaDeath Valley, CaliforniaThe text connects these boundless images to "a West of unlimited horizons" and the work of Turner in developing his frontier theory of the role of the West in stimulating American imagination and initiative. Even today, the book argues that the "unconstrained Western horizon" is important to our sense of taking on the new challenges of modern society. Everyone who sees these photographs will agree that it would be horrible if these sights were ever to be spoiled. We are fortunate that govern

Wonderful text and photographic art

Wow. What a wonderful book that amazes me, everytime I open the cover. Everton seems to have complete control over the dynamics range in all of his photographs. Dark clouds yield to lighter, fluffy clouds, down to a light horizon, and a rich, dark lower 1/3 of these exposures. Add to this control his use of a tool that has limitations, at Noblex 150 panoramic camera.Everton also captures locations that have already been widely photographed before, but with his own signature. He adds a new face to Calf Creek Falls in Utah. A must have book for your table.

To share or savor alone?

The Western Horizon honors the expansive beauty of U.S. topography west of the 100th meridian & east of the Pacific. Mary Heebner provides lightning commentary and subtle sketches complimenting her husband, photographer Macduff Everton, as he captures sites in inimitable ways. Together, they lift a creative curtain... and what a chronicle of our planet's passage they present! Spectacular photographs are framed with informative prose-poetry re: geologic history and human wear. Many of the images are highlighted by magically addictive, cloud reflected light ... others are pure, simple zen. You gaze & graze on Earth's lines as they reach skyward. Time is everywhere. Many thanks to Abrams for yet another choice coffee table reference. Hopefully, Heebner & Everton will have an opportunity to soon grant us some more cardinal horizons. I'd rate The Western Horizon at no less than a full box of gold stars - it's a perfect book either to share or to savor alone.