The Veil Unveiled: The Hijab in Modern Culture

by Faegheh Shirazi

Book Overview

"An original contribution to a subject which is currently of much interest to the world at large, East or West, and has an important bearing on the position of women in the societies in which veiling is practiced."--The Middle East Journal "Highly recommended. . . . It draws on and contributes to current feminist theorizing in Middle East women's studies and in broader feminist academic circles."--International Journal of Middle East Studies "A welcome...

• Format: Paperback
• Language: English
• ISBN: 0813026989
• ISBN13: 9780813026985
• Release Date: September 2003
• Publisher: University Press of Florida
• Length: 240 Pages
• Weight: 0.86 lbs.
• Dimensions: 0.7" x 6.0" x 9.1"

Customer Reviews

symbolism of hijab

pretty interesting read even when I disagreed with the conclusions like e-communication equals conquering of veiled women in the advertising section. Covers advertising, american erotica, cinema, iranian politics... worth reading

If You're Curious About Why Women Wear Veils

If you're curious about why women wear veils, while so many women of the world are, so to speak, unveiling to the point of nudity, then you might find this book interesting. The author examines the veil from a wide perspective that encompasses the historical, political, cultural, as well as religious domains, and in a variety of contexts that includes film, advertising, literary, and erotica. It is noted in the introduction that the veil's history dates back thousands of years to an Assyrian legal text, when veiling was restricted to respectable women and prohibited for prostitutes. In Assyrian, Greco-Roman, and Byzantine empires veiling was a mark of prestige and status. The author, Faegheh Shirazi, who is a professor at the University of Texas at Austin, specializes in textiles and material cultures studies. She shows, through a series of a half dozen chapters, the immense versatility of meaning that the veil can have, depending on the context of its use. In Iranian cinema, for example, its use means adhering to the strictures of Islam, which forbids the erotic, whereas in Indian cinema it's meant to be titillating and erotic. In a chapter entitled "Veiled Images in American Erotica," cartoons from the pages of "Playboy," "Penthouse," and "Hustler" are examined. A chapter on advertising shows how the veil is used to sell automobiles, perfume, cigarettes, computers, and sanitary napkins, among dozens of other products. There are chapters covering military, political, and literary aspects as well as film. In Muslim cultures the veil is used to prevent "fitna," defined as the chaos caused by women's sexuality. If this is true, then the case might be made that a good part of the world is in total chaos. Regardless of your viewpoint, the book is thought provoking for anyone interested in human beings and culture.