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Paperback The Valleys of the Assassins: and Other Persian Travels Book

ISBN: 0375757538

ISBN13: 9780375757532

The Valleys of the Assassins: and Other Persian Travels

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Book Overview

Hailed as a classic upon its first publication in 1934, The Valleys of the Assassins firmly established Freya Stark as one of her generation's most intrepid explorers. The book chronicles her travels... This description may be from another edition of this product.

Customer Reviews

5 ratings

Great Travel Writing in a World Beyond

This extraordinary writer, traveler, adventurer, a woman greater even than her exceptional circumstances, leads us into a magical realm as remote in her time as in Alexander's, and like Herodotus, reveals the intimacies in the history of the people who live there. As a travel book, as a geographical study, as research or recreation, Freya Stark is still, even today, a marvel.

Great Armchair Adventure...

I first read an earlier edition of The Valleys of the Assassins: and Other Persian Travels (Modern Library Paperbacks) nearly 40 years ago while working in Tehran. At that time, it was the primary inspiration for a one-day excursion into the Alamut region with a few friends in a '66 Pontiac convertible, executed with all of the carefree abandon of Ms. Stark. I was delighted to find this reprint in 2001 [as well as The Southern Gates of Arabia: A Journey in the Hadhramaut (Modern Library Paperbacks)] as I searched for greater understanding of the people of the Middle East in the wake of September 11th, just as she had successfully done throughout her lifetime of exploration and writing about these ancient civilizations. The real enjoyment of reading about her colorful adventures comes from her insights into the region as a journalist and the origins of the people, along with her vivid descriptions of life and her dry wit. When you think of this Western woman, often traveling alone, moving throughout the Muslim world of the 1930s [one that hadn't changed in centuries] you become instantly in awe. By simply reading at random any passage that she wrote, you are turned into the traveling companion of this amazing lady and shown those people and their customs in lands that are now forever lost to us, with Stark's compelling words being the only exception. Her true gifts to the world are these wonderful sojourns into the past. Bob Magnant is the author of The Last Transition... - a fact-based novel about Iran, Iraq and the Middle East...

Valley of the Assassins

Freja Stark does an outstanding job bringing to life the wilds of early 20th century Iran! I could imagine myself being right there with her.

Wonderful Travel Story

Like jeffergray, I wish there were maps and would agree that the title was somewhat misleading. At times, I found myself confused by some of the historical references since they were cursory and seemed to assume a good knowledge of the history of the Middle East. Perhaps I need to go back to school...On the other hand, I found this to be a wonderful narrative of a trip to a land that most people will never see, a visit to cultures that are most likely gone in today's world, and, most interestingly, the story of a woman in an area in which women never venture far from their homes. Her descriptions of the details of the countryside and the lives of the people she meets are exquisite and conjure up images despite the absence of pictures. Because of the quality of the writing, it is an easy and fairly quick read.

A Beautifully-Written Travel Memoir of 1930's Persia

I've read two other volumes by Freya Stark ("Alexander's Path" and "Rome on the Euphrates") and thoroughly enjoyed both of them. But I can't quite give this volume an unequivocal rave. I think the main problem was that I was led into false expectations both by the title and the subject matter heading (HISTORY/LITERATURE) that appears on the back of this paperback edition. While any book by Freya Stark will afford significant pleasures, prospective readers should be aware that there really isn't very much history in this volume, and what there is isn't always reliable (serious historians don't believe the Assassins smoked hashish, or that their chief deceived them with a pleasure garden that they thought was a foretaste of paradise). Thus, if you're primarily interested in learning about the fascinating medieval heretical/terrorist sect known as the Assassins or the archaeology of its storied castles in Iran's Elburz Mountains, you should look elsewhere (to Bernard Lewis's "The Assassins", for a general history, and to Peter Willey's "The Castles of the Assassins" for archaeological information). Stark does deserve credit for rediscovering the site of the Assassin castle of Lamiasar (of which the book does include a good sketch plan), but the two chapters which deal with Lamiasar and the main Assassin castle of Alamut comprise barely a seventh of the book.The implied emphasis in the title - "The Valleys of the Assassins and Other Persian Travels" - is thus exactly the opposite of what it should be, for it's the "Other Persian Travels" that are the focus of the book. Marketing considerations aside, it might be more appropriately entitled "Grave-Robbing in the Pusht-i-Kuh," and the subject heading on the back of the book should more accurately say TRAVEL LITERATURE/MOUNTAINEERING/SOCIOLOGY.Aside from the two chapters on the Assassin castles and their associated valleys, the book focuses by turns on a trip through Luristan, then an area notorious for banditry; a rather half-hearted treasure-hunt in a region known as the Pusht-i-Kuh; and a description of a trek through the high country of the east-central Elburz range beneath the mountain known as The Throne of Solomon. Aside from the rediscovery of Lamiasar, nothing of earth-shattering importance or even great adventure occurred during these travels. So you read Stark for the pleasures of her writing and for a picture of Iranian society at the time when the Pahlevi family was just beginning its fifty-year effort to transform the country into a modern state.For me, this wasn't quite enough. There are occasional patches of beautiful and memorable writing here, but these are interspersed with lengthy and not always terribly interesting accounts of Stark's daily itineraries. Unlike, say, Paul Theroux, Stark isn't laugh-out-loud funny; the best you get are occasional flashes of a very English dry wit. At its best, however, Stark's prose can serve as a kind of clinic on descriptive writing, esp
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