The Theatre of Tennessee Williams, Volume III: Cat on a Hot Tin Roof, Orpheus Descending, Suddenly Last Summer

by Tennessee Williams

Book Overview

The Theatre of Tennessee Williams brings together in a matching format the plays of one of the America's most influential and innovative dramatists. Arranged in chronological order, this ongoing series includes the original cast listings and production notes.

• Format: Paperback
• Language: English
• ISBN: 0811211967
• ISBN13: 9780811211963
• Release Date: September 1991
• Publisher: New Directions Publishing Corporation
• Length: 423 Pages
• Weight: 1.04 lbs.
• Dimensions: 1.2" x 5.2" x 8.0"

Customer Reviews

Human emotions captured as poetry brought to life in a play

Tennessee Williams (Born Thomas Lanier Williams) has always been one of my favorite American authors. I highly recommend this reading for literature students and blooming actors alike. TW has the ability to add colorful symbolism to real emotions coming out of real people without sounding pretentious. These books should be required reading in advanced high school. But are probably omitted due to the sexual undertones that are in TWs writing. Certainly books that can be enjoyed later in life.

THRILLING

In the history of theatre, I am sure that future generations will find that Tennessee Williams was the one playwright who not only wrote of the neuroses and souls of his fellow Americans, but did so with extraordinary beauty and grace.In this collection one can find three of his most famous plays, two of which, unhappily, do not seem to be revived very often. So although it is always better to SEE a play rather than READ it, that may not be very easy."Orpheus Descending" deserves to be rediscovered--a highly poetic, gothic horror story of the battle between art, spirit, soul and sensuality, sexuality. Originally written for the brilliant Italian actress, Anna Magnani, it was in fact played on Broadway by the equally brilliant American, Maureen Stapleton."Suddenly Last Summer" was actually the basis for a very long, very self-conscious study I did for a college psych. class. Here in one of Williams most "symbol-laden" plays is his cry for an unfeeling world to accept human beings with all their faults (BECAUSE of all their faults, perhaps?) told through the disturbing memories of a woman whose family wants those memories shut up at any cost.All three movie versions of these plays are faithful to the originals UP TO A POINT. Try to see the plays, but if that is impossible do yourself a favor: read all of Williams, including his poetry and short stories, and start with this thrilling volume of 3 of his best plays. HIGHLY RECOMMENDED.

You won't be disappointed OR bored with this volume

The three choices for this volume fit very well together. All three include themes that are so often covered in Williams' work. Bizarre family situations, unrequitted love and battles within the self are portrayed, often brutally, in these works. For example, the struggle experienced by "Maggie the Cat" in "Cat on a Hot Tin Roof" is a raw blend of self hatred, self love, longing for what can't be mixed with a fearsome attempt of "keeping up appearances" within the confines of a, to say the least, very unhealthy extended family situation. I think another fine example of Williams' flair for the, shall we say extraordinary, is "Suddenly Last Summer." It's not easily described without giving away many shockers so I won't spoil that here. I highly recommend this volume as the two I just mentioned are absolutely fantastic. Also, don't ever pass up the chance of seeing the film versions of these (I speak of the originals in this case).