The Speakeasies of 1932: Over 400 Drawings, Paintings & Photos

by Al Hirschfeld

Book Overview

(Applause Books). Introduction by Pete Hamill. When Manhattan joints were hung out to dry, the Booze-oizie sniveled, then pirouetted on their stools to find reasonably palatable Speakeasy facsimiles. These Prohibition hangouts each had their own flavor, decorum, decor and formula for ducking the law. Each found its own alcoholic substratum: its own inimitable characters behind, at and under the bar. Fear not all has not been lost to the repeal of...

• Format: Hardcover
• Language: English
• ISBN: 1557835187
• ISBN13: 9781557835185
• Release Date: August 2003
• Publisher: Hal Leonard Publishing Corporation
• Length: 96 Pages
• Weight: 2.15 lbs.
• Dimensions: 0.7" x 9.4" x 12.2"

Customer Reviews

Great Book and Resource

I love this book and the detailed descriptions of the speakeasies and the drinks that were prominent in each bar. The drawings are also wonderful and fun for everyone to enjoy. I highly recommend the book to anyone who's interested in the prohibition era, vintage cocktails an essential for cocktail enthusiasts. I run Daddy-O's Martinis [...] and will highly endorse this book. Sincerely, John Apodaca

AL HRSCHFELD STILL DRAWS RAVES!

All hail Hirschfeld, and, more importantly, all hail this trio of tomes featuring works by the premier theater and entertainment illustrator of the 20th century. For decades, Big Al's works adorned the cover of Sunday's New York Times Arts and Leisure sections, sketches celebrating plays, musicals, movies and celebrities gracing Gotham that particular week. The bearded, rotund artist (sort of a secular Santa for show-biz folk) was ubiquitous at opening nights in and out of town. And, of course, each week, there were the "Ninas," his daughter's name, hidden, sometimes once, sometimes up to eight times, in each sketch. (The number next to his signature would clue us in on the number of times Nina's name was hidden.) Cross-country phone calls wailing, "Where's the last Nina?" ensued on many a Sunday afternoon. Nina-searchers can now glut themselves on Hirschfeld's British Aisles, a collection culled from the New York Times; as a special treat, there are welcome commentaries from such big name Brits as Julie Andrews, Dame Edna, Sir Cameron Mackintosh and Lynn Redgrave. A veddy nice job, but the real treats are Hirschfeld's Harlem and The Speakeasies of 1932. In Harlem, we can see the artist's style develop; before the detailed line drawings we have come to expect came almost impressionistic pencil shadings, at once more personal and mysterious, more abstract, and evocative and startling in their originality. Harlem has, as well as several historical essays, text by a band of authorities, including Bobby Short, Lena Horne, Ossie Davis and Ruby Dee and Savion Glover. The Speakeasies of 1932 is a fascinating look at the dives and divine watering holes of that noble experiment, prohibition. Sketches of bars, bartenders and patrons, along with a written description of the joints, are included. Added to this fizzy mix are drink recipes from each bar; we should, perhaps, avoid the cocktail simply called "Smoke," from an establishment called O'Leary's on the Bowery. The principle ingredient? Two cans of Sterno. Art should teach us something about the past, about ourselves, about our society. But it should also be fun. Al Hirschfeld accomplished all of this with pencil, pen and ink. If you aren't familiar with his work, meet this terrific triumvirate. And if you are familiar with dear Al (and Nina), then enjoy a reunion with old and treasured friends.