"Someone jolted my elbow as I drank and said, 'Je vous demande pardon, ' and as I moved to give him space he turned and stared at me and I at him, and I realized, with a strange sense of shock and fear and nausea all combined, that his face and voice were known to me too well...
Hailed by the New York Times as a masterpiece of "artfully compulsive storytelling," The Scapegoat brings us Daphne du Maurier at the very top of her form.
Hailed by the New York Times as a masterpiece of "artfully compulsive storytelling," The Scapegoat brings us Daphne du Maurier at the very top of her form.