Concentrating on the work Marianne Moore produced during the first two decades of her long career (1915 36), John Slatin's closely documented account of Moore's poetic development affords a radically new sense of Moore's concerns and of her stature as a poet, countering the usual image of Moore as a charming eccentric whose work is unrelated to that of any other poet. Virtually everything Moore wrote responds in some way to the profound sense of isolation...