The New Constellation: The Ethical-Political Horizons of Modernity/Postmodernity

by Richard J. Bernstein

Book Overview

During the last two decades Richard Bernstein has established a worldwide reputation as one of the few philosophers able to bridge different traditions of thought and to clarify, through sympathetic criticism, the key intellectual issues of our time. In these 10 essays he explores the ethical and political dimensions of the modernity/postmodernity debates. Bernstein argues that modernity/postmodernity should be understood as a pervasive mood - what...

• Format: Paperback
• Language: English
• ISBN: 0262521660
• ISBN13: 9780262521666
• Release Date: January 1992
• Publisher: MIT Press
• Length: 368 Pages
• Weight: 1.30 lbs.
• Dimensions: 0.8" x 6.0" x 9.0"
• Age Range: 18 years and up
• Grade Range: Postsecondary and higher

Customer Reviews

Accessible--but still challenging--work on postmodern political theory

Bernstein's book is one of the more accessible (albeit still challenging to those not steeped in the postmodern tradition) works on postmodern political theory. The work is well worth grappling with. He helps identify some of the characteristics of postmodernism and then explores the contributions that this makes to political discourse. The Other is an important theme among Postmodern thinkers. It arises, inter alia, from the very nature of language as such thinkers understand it. A key concept is the notion of binary oppositions. To use colors in the spectrum as an example. White is defined in terms of black, but we do not think of white as black--even though black is critical for white's meaning. In a sense, black is pushed to the side and becomes Other. Bernstein says that (71): "This is the theme [in Postmodern thought] that resists the unrelenting tendency of the will to knowledge and truth where Reason--when unmasked--is understood as always seeking to appropriate, comprehend, control, master, contain, dominate, suppress, or repress what presents itself as 'the Other' that it confronts. It is the theme of the violence of Reason's imperialistic welcoming embrace." A classic binary opposition relevant here is Same/Other or Identity/Difference. The first term in each is privileged or "valorized." The second becomes Other, whose meaning is hidden or repressed. Rational ideals of the Modern era have it that we must try to explain all things, that there are underlying explanations to account for everything. We try to make "Same" or explain all components of a particular arena in common terms. However, the idea of binary oppositions in language means that Same can only be defined in terms of Other (remember, the color white can only be defined in terms of the color black--black becomes Other to white). By trying to reduce everything to Same, we are repressing Other. There is a striking political metaphor here, according to Bernstein. He claims that (71): "For the 'logic' at work here is the 'logic' at work in cultural, political, social, and economic imperialism and colonization--even the 'logic' of ethical imperialism where the language of reciprocal recognition and reconciliation masks the violent reduction of the alterity of 'the Other' (l'autrui) to 'more of the same.' What is at issue here is acknowledging the radical incommensurable singularity of the Other (l'autrui), to recover a sense of radical plurality that defies any facile total reconciliation." For the postmodern analyst, the suppression of the "Other" is a form of violence. What is needed is a "letting be." Jacques Derrida, a major Postmodern figure, calls out for ". . .the respect for the other as what it is: other. Without this acknowledgment, which is not a knowledge, or let us say without this 'letting be' of an existent (Other) as something existing outside me in the essence of what is. . ., no ethics would be possible" (quoted on 184-185). And D

Bridging Gulfs

Bernstein points out in the Introduction his inability to combine the subsequent essays into a single theme, generative principle, or common core. His way of characterizing the refractory nature of these strands is to liken them to a "constellation", which by definition contains elements resisting integration into a unified whole. Thus, the image of constellation stands as the book's central metaphor, and a characterization of how Western philosophy stands following the emergence of the post-modern "Stimmung" or "mood". Put in Hegelian terms, the "other" remains other, because the post-modern negation of reason offers no prospect of being reconciled into a more comprehensive whole. I think it's fair to say that for Bernstein, the "post" in post-modernism really does mean post. And though Bernstein doesn't emphasize the word, a thoroughly pluralist landscape would appear to be the result, a pluralism perhaps uniquely beyond all measure of integration.Those who see the missing yet vital connecting strand in the triumph of a consumer mentality may find the work inadequate from the standpoint of broader cultural analysis. It's true, Bernstein does stick closely to the narrower philosophical level. Nevertheless, each essay represents a penetrating discussion of major post-moderns and their precursors, figures such as Foucault, Derrida, and Heidegger, along with more diverse thinkers, like Rorty, Habermas and MacIntyre. For me, the two most revealing chapters are the discussion of Heidegger and technology and Rorty's liberal utopia. The former makes a revealing connection between Heidegger's philosophy of Being and his refusal to disavow a Nazi past; while the latter illuminates an important theoretical issue confronting the post-moderns--- how to finesse the paradoxes facing an anti-foundationalist politics as it seeks to avoid outright nihilism. Despite the work's breadth, this is by no means the flabby work of an eclectic. Bernstein's reputation is built upon a sympathetic and fair-minded understanding of both Anglo-American and Continental traditions. This work is certainly no exception.