Only people like that buy books like this...or write them." So says Robert Mankoff--and he should know. As cartoon editor of The New Yorker , and one of its most gifted contributors, he spends his life pursuing that elusive thing called creativity, and inspring it in others. If you've ever wondered where great ideas come from, or yearned to channel your creative energies, or just wanted some pointers on how to get those artisitic juices flowing--this book was written for you. Along with some help from his well-known cartoonist friends, Mankoff takes you on an entertaining words-and-pictures journey through the art, craft, and zen of cartooning, along the way providing lots of personal anecdotes about his development as an artist, and about life at the world's most urbane magazine. But you don't have to be an aspiring cartoonist to appreciate The Naked Cartoonist . Mankoff's wisdom, and his practical yet whimsical approach to the creative process, are designed to benefit anyone who has ever stared at a blank piece of paper or canvas and dreamed of transforming it into something truly original (and maybe even commercial). What's so funny? Mankoff knows best. He also knows how you can find your own personal voice and mesage, how you can learn from the masters of the past, how you can transform a current event into a comic tour-de-force...even how you can incorporate telling lies and taking naps into your daily work routine--and justify it.
The people who draw comics or comic strips on a daily basis know that coming up with new ideas is not always the easiest thing to do. For anyone entering into the comics field...you will find this out. Comic characters: check. Coloring for the comic: check. Storyline: check. Creating new ideas for the comic day in and day out: NOT SO SURE...Uh,Oh. This book will help you come up with fresh new ideas that will help drive your comic.
Here for the Holidays
Published by Thriftbooks.com User , 22 years ago
As a longtime reader of the New Yorker -- and, more importantly, a longtime reader of its cartoons -- I was happy to see that the cartoon editor of the magazine had written a book. To be honest, I expected more about the inside dealings of the magazine: the idiosyncracies of famous cartoonists, the backstage intrigue that led to my favorite cartoons. That's not exaactly what this book is. It's more a solo performance by Robert Mankoff, who writes at great length about his own internal creative process. This was offputting at first, but by the end of the first chapter, I was hooked. He has an engaging voice and a real talent for illustrating his ideas (as you would expect), so the result is a pretty wonderful guidebook to human creativity and humor.
Bound Gold
Published by Thriftbooks.com User , 22 years ago
Perhaps that is an exaggeration: I have seen gold, held it, even watched as it was melted and molded into coins, and this book is not as valuable as gold. And yet, I cannot let go of the metaphor entirely. Gold comes from mines, where it begins life as brilliant flecks of value and inspiration amid the humid dark. And Mankoff's book, too, illustrates (literally and figuratively) how moments of comic gold can be identified, mined, and then shaped into something valuable. The mind reels, because the mind itself is shown to be a kind of reel. Auriferous artwork and puckish prose, all underpinned by a genuine interest in the alchemizing of human nature, ensure this book's success.
Bravo Very Good Book
Published by Thriftbooks.com User , 22 years ago
I come to United States to visit a cousin and took this book from his table. It is a wonderful amusement that will remain in my mind for many years.
What Goes Ha Ha Ha Ha Plop?
Published by Thriftbooks.com User , 22 years ago
Me, laughing my head off as I read this book. But this book also filled my head before I laughed it off. I thought it would be a hilarious collection of some of the best New Yorker cartoons, and it is, but it's also a complicated theory of creativity, humor, and art. The author keeps things light, but there are some serious points made as he investigates the links between cartooning, dreaming, surrealism, and so on.
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