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The Mind of a Mnemonist: A Little Book about a Vast Memory, With a New Foreword by Jerome S. Bruner

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This study explores the inner world of a rare human phenomenon--a man who was endowed with virtually limitless powers of memory. From his intimate knowledge of S., the mnemonist, gained from... This description may be from another edition of this product.

Customer Reviews

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Fascinating case study and book

Thirty years ago I remember this case being discussed in my physiological psychology class, a field in which I eventually went on to grad school, and I still remember the case of "S" to this day. Luria's little book became an instant classic in the neurological and memory literature and has probably never been surpassed as a case study of a uniquely retentive and creative memory talent. Recently, I came across a review of the book on the Literature, Arts, and Medicine database, and I thought it was such a nice little summary of the book that I wanted to include it here, since it's not that long, along with a few of my comments. I have to mention one thing that the review didn't mention is the time the subject, known simply as S, who never seemed to forget anything, even years later, actually did seem to forget an item during Luria's many years of studying him. But how that happened tells us a lot about how his memory worked, which was very visual. S used an interesting association system to memorize things. He used to walk the same way to school when he was a boy, which took him down various streets, back alleys, and buildings in town, and he would simply place the items he had been asked to remember along his path. To recall all the items in order, he would simply imagine himself walking along his familiar route, and he would see the objects he had been asked to remember as he went. The item he couldn't recall he had placed in a dark recess of a back alley he used for a shortcut and apparently it got lost in the darkness, which was why he couldn't see it. :-) Here is the review from the Literature, Arts, and Medicine Database: **************************************************************************** One day in the 1920's, a newspaper reporter walked into the laboratory of Russian psychologist A. R. Luria and asked him to test his memory, which he recently had been told was unusual. It was not unusual. It was uniquely and astoundingly retentive. Luria gave him very long strings of numbers, words, nonsense syllables and could not detect any limit to his ability to recall them, generally without mistake, even years later. (Luria studied S., as he identifies him, for thirty years.) Luria discovers that the man had some interesting characteristics to his memory. He experienced synesthesia, i.e., the blending of sensations: a voice was a "crumbly, yellow voice." (p.24) S.'s memory was highly eidetic, i.e., visual, a characteristic not unique to him but which he used as a technique to memorize lists and details. (He had become a performing mnemonist.) It was also auditory. He had trouble remembering a word if its sound did not fit its meaning. The remainder of the section on his memory involves fascinating aspects of his having to learn how to forget and his methods of problem solving. The remainder of the book is equally interesting since it relates the epiphenomena of S.'s prodigious memory: how he mentally saw everything in his past memory

Just one story

One of the positive side-effects of Oliver Sacks is that he has called attention in America to the works of the great Soviet psychiatrist Aleksandr R. Luria, many of which have been translated from Russian into English."The Mind of a Mnemonist" is a slim book that tells the story of a man identified only as "S," whom Luria knew and worked with for decades, a man who literally could not forget. Like other such bottomless memories, "S" was a side-show curiosity whose ability was a burden as much as a gift. Luria details the difficulties "S" had in grappling with daily life, where thinking clearly depends so much upon forgetting the useless.I have no idea whether Borges had ever seen this book when he wrote "Funes the Memorious," which is a wonderful fictional account of just such a mind. The book also takes a fascinating detour into the condition that somehow gave "S" his powers, synesthesia. People with synesthesia can "hear" colors and "see" sounds. Smells have textures. Shapes have sounds. This seems to be a natural condition in infancy, but most people lose it, except for remnants of this when people talk about "warm" colors or "cold" sounds. The composer Alexander Scriabin was among those who retained a complex synesthetic sensitivity into adulthood. S. was another. "What a crumbly, yellow voice you have," he told one psychologist. For him, numbers had personality: "5 is absolutely complete and takes the form of a cone or a tower -- something substantial. ... 8 somehow has a naive quality, it's milky blue like lime ...." And Luria gives this account of an experiment: "Presented with a tone pitched at 2,000 cycles per second and having an amplitude of 113 decibels, S. said: 'It looks something like fireworks tinged with a pink-red hue. The strip of color feels rough and unpleasant, and it has an ugly taste -- rather like that of a briny pickle ... You could hurt your hand on this.' "Experiments were repeated over several days at the Academy of Medical Sciences in Moscow, with dozens of tones, and the results were invariably the same. This synesthesia of sound is the essence of poetry, too. Dante divided words into "pexa et hirsuta," combed and unkempt (or "buttered and shaggy" in Ezra Pound's translation). S. used exactly the same words -- "prickly," or "smooth" -- for sounds, voices, words. If you don't need one author to do all your thinking for you, if you can take what you read in one place and apply it to what you know from others, this book will expand your awareness of the human experience in an unforgettable way.

In the annals of memory

Referenced in numerous psychology and memory books is where persons might locate this book. The account of S. and his spectacular memory is almost legendary in the psychology, and memory community. This was my fortunate pleasure in locating the above reference in the following book: Your Memory How It Works and How To Improve It By Kenneth Higbee. A fine memory book. The Mind of a Mnemonist is not written as a fictional account of a person named "S". Non-fiction might be where the beauty lies. Aleksandr Romanovich Luria is a Russian psychologist. The mnemonist "S" is a Jewish man. S. is studied under a 30 year period. At the beginning of study, S. is under 30 yrs of age.Luria catalogues his work very well. From the beginning of Luria's research then continuing to analyze S's memory then furthering to S's mind, behaviors, and then personality. Moreover, S. makes many of the comments of his own memory ability throughout this book. In analyzing S's memory, Luria leads the reader to deal with Synthesia of which S. possesses. This a integral part of S's phenomenal memory ability. S. would see splashes of color or puffs of steam regarding different sounds. In chapter 3 Luria conducted different sound tests of which analyzed S's Synthesia.For more information regarding Synthesia, I would recommend Richard Cytowic's book "The Man Who Tasted Shapes". Luria also deals with S's ability to figure math problems. S has a great ability to easily solve certain math problems. His visualization capabilities are in high assistance with his ability here. Chapter 5 is most interesting: Luria comments on S's "Strong Points" and "Weak Points" regarding his memory. Strong points -as mentioned above- are his ability in visualizing math problems, visualization, graphic detail in story lines, and his efficiency ability. Weak points are S's reading ability. S. cannot read much material because words conjure up vivid images in which S. is forced to deal with. Abstract words, sentences, almost have no meaning to S. because of loss in the words meaning. Poetry was particularly difficult. "His control of his behavior" is another outstanding chapter by Luria. Luria comments on S's ability to control his body temperature by visualization. S. also has the ability to control his heartbeat by visualization. One of the most spectacular written accounts of which S. himself writes,"To me there's no great difference between the things I imagine an what exist in reality". This is a very powerful quotation and one can see what problems, or luxuries this may have. On one particular account, S. was supposed to wake up for school. He visualized the clock and reckoned there was more time before school. Then his mother is coming into the room and saying, "you haven't left yet". S's visualizations were completely real to himself. In addition, S. has graphic memories of infancy. I wanted to remark on some of the chapters and different subject areas in this book. As seen, there is a lot of fascin

An Endless Abyss of Fascination

This is a highly unique and true story about a remarkable man. S. (we never discover his true name) is a mnemonist, an individual with an apparently limitless memory capacity. The book chronicles the study of S. by Dr. Luria in Russia. Having found his subject's memory endless, He then studied the bizarre nature of S.'s memory, and the nature of S's thoughts and how all this affected S.'s life and personality. What we read about is an alien mind, filled with pictures, colors, clouds and tastes but often crowding out any kind of sense or meaning. This is a very fascinating and original book, from beginning to end.

Luria at his best

You will never think about your mind the same way. A. R. Luria's most famous subject was a young Russian man whose talent in life was to be able to recall anything -- literally *anything* -- that he set his mind to remembering. His talent was prodigious, and we are fortunate that a researcher as talented and humane as Luria found and studied him. This resulting volume is a beautiful account of how his memory worked, of a doctor-patient relationship that spanned decades, and of how what appeared to be a gift turned out to be a curse.A beautiful book.
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