The Memoirs of Princess Dashkova

by Yekaterina Romanovna Vorontsova and Ekaterina Romanovna Dashkova

Book Overview

Ekaterina Romanovna Dashkova (1743-1810), Russian princess, playwright, author, President of the Academy of Sciences, and founder and Director of the Russian Academy, was one of the first women in Europe to hold public office. Her memoir, among the earliest examples of autobiography in Russia, is part of what has become a long and powerful tradition of autobiographical writing by Russian women. It offers a rare glimpse into the life of a strong and...

• Format: Paperback
• Language: English
• ISBN: 0822316218
• ISBN13: 9780822316213
• Release Date: June 1995
• Publisher: Duke University Press
• Length: 352 Pages
• Weight: 1.32 lbs.
• Dimensions: 1.0" x 6.2" x 9.3"

Customer Reviews

A fascinating look through 18th century eyes

The Memoirs of Princess Dashkova are unique in that they are a first hand account of eighteenth century Russia from the point of view of a noblewoman close to the centers of power at the court of Catherine the Great. As all memoirs do, Dashkova's words present a particular bias-that of an intelligent and privileged upper-class woman in a deferential society who has an agenda she wishes to impress upon the reader. Yet within this memoir are glimpses of Russia in a time of radical and fast-paced changes, in some of which Dashkova herself has a hand.It is difficult to credit Dashkova's convictions that she was the first to even conceive of the possibility of Catherine's overthrow of Peter III since Dashkova was eighteen and one of the younger members of Catherine's circle. Although Dashkova was a supporter of Catherine and did have a hand in the plot to over throw the czar, Catherine's memoirs imply that such a coup was envisioned long before the death of the Empress Elizabeth and that Catherine herself was merely waiting for the right moment to act. More plausible is the idea that Catherine had cultivated the young Princess purposely to have a ear in the Vorontsov camp. Dashkova's rendition of events would have her personally picking the conspirators, sending for Catherine's carriage, ordering the Orlovs to bring Catherine to speak to the regiments and almost single-handedly arranging the entire series of events. The most noteworthy point in this account of the coup of 1762 is the fact that it could take place at all in a monarchial state. That the Emperor with the appropriate Russian bloodline could be overthrown by his wife, a Princess of Germany, is remarkable in itself and speaks more of Catherine's perspicacity than of Dashkova or any other supporter.Dashkova paints a picture of the Russian court under Catherine as both a place of sycophants and personal favor seekers and of great new ideas and plans for the state as a whole; of wealth and luxury taken for granted by the aristocracy while at the same time there are ongoing economic problems of national significance. Dashkova's Russia has two faces-that of an elegantly coifed and gowned Europeanized noblewoman and that of the peasant-serfs, themselves living in hovels, who out of gratitude for being allowed to work volunteer their labor so that she could build a fine house. The clearest impression of Dashkova and her contemporaries is that typical of the majority of eighteenth century aristocracy-of the disparity between the classes and of the general obliviousness of the upper-class to the misfortunes of the lower. Dashkova's lesson to Diderot of the importance of serfdom-as a method by which the enlightened aristocracy protects the hapless peasants for their own good-gives a clear perspective of the hierarchy between the social classes in eighteenth century Russia. Whether the conversation actually took place is less believable than the fact