Illustrates the ways that the "war on crime" became conjoined--aesthetically, politically, and rhetorically--with the emergence of gangsta rap as a lucrative and deeply controversial subgenre of hip-hop In The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era, Bryan J. McCann argues that gangsta rap should be viewed as more than a damaging reinforcement of an era's worst racial stereotypes. Rather,...