The March: A Novel

by E.L. Doctorow

Book Overview

En 1861 estall? en Estados Unidos la Guerra de Secesi?n, que enfrent? a los estados del Sur, confederados, y los del Norte, unionistas. Treas a?os despu?s, en 1864, tras quemar Atlanta, el general... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0812976150
• Release Date: September 2006
• Publisher: Random House Trade Paperbacks
• Length: 363 Pages
• Weight: 0.67 lbs.
• Dimensions: 8.0" x 0.8" x 5.2"

Customer Reviews

The Apex of the great Doctorow literary and storytelling powers

As a proud reader of all 12 of the great E. L. Doctorow novels. The March is my favorite. As a lover of history. It quenched my desire for that. But also allowed me to oh so enjoy the fictional characters as well. This being his 9 novel. I could feel through the pages. The mastery of his type of diction, pace and storytelling of his writing style. It is the kind of book. That will have one eagerly wondering and awaiting the outcome of all of the characters as the book progresses. I cannot expound enough how great of a author and truly an American treasure he was. With this being the crown jewel. I look forward to reading these novels with my son when he gets older!

The most brutal of wars

A sprawling epic of Sherman's march through the South, Doctorow's story once again illustrates why the effects of the Civil War endure in our country to this day. In part because it was fought on our own soil, in part because the North and South were such totally different cultures, and of course because the issue of race remains a burning one even today, the Civil War continues to fascinate. Reading Doctorow's story, it's hard to imagine that Sherman's march covered a mere 60 miles--its effects were so brutal and deadly. The Civil War occurred at a time when the weapons of modern warfare had emerged--repeating rifles, cannon and shells decimated thousands, but medicine was in the dark ages. Much of the story takes place just behind the lines in the medical units, where the distant Wrede Sartorious operates with cold-blooded efficiency, while an ever-changing cast of assistants and nurses make futile efforts to staunch the blood and ease the pain. Doctorow's characters shift in and out of the story as Sherman's juggernaut makes its way through the countryside. Freed slaves, camp followers and whites whose homes have been destroyed by the army attach themselves to the rear of the army expecting to be fed and protected because they have no place else to go. Black men who still need the cover of a white "boss," black women passing for white, lost children, sheltered white women cut loose from their protective coccoons all tag along, until one wonders how Sherman could move at all. Like all war stories, one becomes hardened to the blood and gore of it all, and yet Doctorow won't let us forget. Late in the book, the half-mad Mattie finds her dead son, and all stop as "the thin thread of a howl, a cry that stopped the chorus of the moans of the wounded, the bustle of the nurses" was heard throughout the camp. "Even Wrede Sartorious . . .looked up from his bloody labors, and when he turned back to them his own science suddenly seemed futile given the monumentality of human disaster." Doctorow's style is riveting, his rendition of accents flawless, the movement of the plot inexorable. I highly recommend this novel--you won't be able to put it down.

Cry "Havoc," and let slip the dogs of war.

Mark Twain often blamed, not without some reason, the onset of the U.S. Civil War on the writings of Sir Walter Scott. Scott's romantic view (Twain called them Scott's enchantments) of war, chivalry, and honor colored southern culture to such an extent that war became inevitable. Any lingering romantic notions about war were put to rest by General William Tecumseh Sherman's march through the south. Sherman's view of war was simple: war is brutal and it must be fought with brutality and overwhelming strength if victory is to be achieved. Sherman's often brutal march through the south forms the centerpiece of E.L. Doctorow's "The March". Both havoc and the `dogs of war' form the underlying background against which the novel's plot plays itself out. In a recent discussion about "The March" Doctorow stated that he intended to give the book a "Russian feel". In that he has succeeded. The broad canvas painted by Doctorow, a multitude of characters (both real and fictional) who meet, interact, and depart while war is waged all around them does contain stark similarities to Leo Tolstoy, Boris Pasternak, and Vasily Grossman. Doctorow's unique voice and style allows him to impart this "Russian" flavor to a novel about the Civil War without it seeming imitative or derivative. The March is an original and entertaining piece of work. There are a host of characters in the book. Some, like Sherman, appears throughout. Others, who shall remain nameless, make an impact on the reader and advance the story but suffer untimely fates. As with any war untimely deaths are the rule rather than the exception. The other major characters include: Pearl, a newly freed slave who father was her former plantation master; Colonel Wrede Sartorius, a German born army surgeon; Arly and Will, two Confederate soldiers whose appearance and reappearance in Union and Confederate uniforms is both amusing and ultimately suspenseful; Stephen Walsh, a Union soldier who finds himself spending a lot of time with Pearl; and Emily Thompson, a southern woman who ends up as a nurse to Dr. Sartorious. Doctorow devotees will recognize Dr. Sartorious as the evil Dr. Sartorius featured in Waterworks. They will also recognize the freed slave Coalhouse Walker as the father of jazz pianist Coalhouse Walker Jr. from Ragtime. These `coincidences' are not central to the plot but does engage the reader with background information about the characters not readily apparent from the reading. The book progresses along with Sherman's march. We see southern cities burnt down at the least sign of resistance and we see captured Union soldiers executed without cause. War is indeed hell and the havoc of war is omnipresent. Doctorow is unstinting of his portraits of all his characters be they northern or southern. There is no such thing as a romantic hero; there is simply brutality in the name of survival and accommodation to the dogs of war barking at everyone's feet. One noticeable element of The

Doctorow's March

In his latest novel, E.L. Doctorow explores the American Civil War, spcifically the march of General W.T. Sherman and his army through Georgia, South Carolina, and North Carolina in 1864 --1865. Sherman's march is generally regarded by historians as the predecessor of modern total war. The march was directed not only against the Confederate army, but against an entire people, as Sherman's soldiers cut a broad swatch through the States and through cities, destroying resources, homes and food everything in their path. The war was of such a magnitude and the passions among the combatants and the citizens so strong that the will of the South to fight, not only the force of arms, needed to be subdued. This was a cruel, difficult, and still controversial march as Sherman cut his Army of from its own communications and supplies further North, maurauded, and pillaged and lived off the land bringing destruction to everything in its wake and spawning a long legacy of bitterness in the South. Doctorow begins his story of Sherman's campaign in the midst of it -- after the Union Army had captured Atlanta and begun the first leg of its march to Savannah, Georgia. Doctorow gives a vivid picture of an Army on the march, for the most part unopposed, destroying everything in its path. The march through Georgia is the subject of the first section of the book. The second part of the book describes the campaign into South Carolina. Destruction in this portion of the campaign reached astounding levels because Sherman, together with most of the Union leaders, held South Carolina responsible for initiating the war. This section of the book includes graphic pictures of the Union Army's difficult march through the swamps of lower South Carolina and of the burning of Columbia. (There is still disagreement about whether the North or the South was primarily responsible for the burning. Doctorow shows that it was some of both.) The third section of the book, set in North Carolina, deals with the waning days of the War, with the final battle of Bentonville, with Sherman's meeting with Grant and Lincoln, and with the end of the War and Lincoln's assasination. The Nation clearly and a great deal of healing and soul-searching to do. Doctorow gives the reader an excellent sense of the movement of the armies, the horrors of war, death, injury, and barbarity, and, in particular, of the state of medical practice during the conflict. We are given a good portrait of General Sherman, but of the other leaders of the Army only the calvary leader Kilpatrick, known as "Kil -Kilpatrick" for his feckless behavior gets a great deal of attention. The book takes a broad sweep, but there is no single main character that stands out. The story is mostly presented through vignettes and minatures involving a wide cast of characters. These include a brilliant but emotionally cold Union doctor, Wrede Sartorius, a beautiful young former slave, Pearl, who can pass for white, former So

"It is an immense organism, this army, with a small brain."

When the huge Union Army of General William Tecumseh Sherman burned its way from Atlanta to the Carolinas in 1864 - 1865, it was accompanied by a motley group of freed slaves, entrepreneurs, the dispossessed wives and children of landowners, and even a few turncoats, all of whom saw this army as their protection from the hostile unknown. E. L. Doctorow, in his absorbing novel about this march, focuses on the marchers themselves--their varied interests, conflicts, fears, and goals--creating a powerful and panoramic vision of how civilians, as well as soldiers, responded to the devastation of this terrible war. Through a series of dramatic vignettes, Doctorow reveals the characters' family lives and stimulates reader interest. Mattie Jameson, the wife of a cruel slaveowner, has closed her eyes to the horrors of slavery, but when her estate is burned, her husband killed, and her 14- and 15-year-old sons conscripted to fight for the Confederacy, she has nowhere else to go. Pearl, whom Mattie describes as "that horrible child," is the mulatto child of her husband John Jameson and one of his slaves, and Pearl, too, becomes a marcher, disguised at a drummer boy. Emily Thompson, the elegant daughter of a Georgia Supreme Court Justice, helps Dr. Wrede Sartorius, a Union regimental surgeon, renowned "for removing a leg in twelve seconds [without anesthesia]. An arm took only nine." Two turncoats, the devious Arly and the naïve Will, serve as the primary comic relief, opportunistically trading uniforms to suit their circumstances. Real people mix with fictional characters, giving life to the narrative and a sense of immediacy to the action. General Sherman--"Uncle Billy," to the troops--is the unifying element of the novel, and he comes to life, his own family suffering as much personal hardship as the families he meets on the march. Cameos of Ulysses S. Grant and Abraham Lincoln enhance the conclusion of the novel, and even Coalhouse Walker makes an appearance. The cast of characters is fluid, with some characters disappearing during the narrative, as they would in reality. Doctorow's eye for detail and ability to convey sense impressions--a severed leg so heavy it has to be carried by two people, or a soldier catching an enemy on his bayonet and being unable to shake it free--create both an atmosphere and the harsh realities of war. Focusing on the march itself, Doctorow explores broad themes--the human costs of this war and its aftermath throughout the South: the thousands of displaced people, the loss of traditional ways of life, the economic disasters, the cultural shocks, the lack of opportunities for freed slaves, and their need to be taught how to be free. Showing the terrible universality of war, Gen. Sherman notes, "our civil war..is but a war after a war, a war before a war." n Mary Whipple

The Mind and Body of War

In this magisterial novel, both intimate and epic, E.L. Doctorow treats war as an organism, a new kind of creature that destroys, disrupts, or captivates everything and everyone in its path. Though an historical novel of the civil war, a kind of "sequel to Gone With The Wind" as the author described it in Publisher's Weekly, the reader can't help drawing parallels to the current U.S. engagement in Iraq, and, even more poignantly, the aftermath of the disastrous Hurricane Katrina. Doctorow gives us a variety of perspectives: General Sherman himself, a nearly-white slave girl Pearl, a German-borne Army surgeon, a pair of shifty, white-trash confederate soldiers who change uniforms and allegiances with the wind, a sheltered daughter of the south, and a host of other major and minor characters. Like war itself, Doctorow is not above killing off engaging characters (one seemingly central character is dispatched quite early in the novel without so much as a warning). This novel will leave the reader indelible images that remain for weeks afterwards, like the remnants left from the march itself.