The Man With Two Left Feet

by P.G. Wodehouse

Book Overview

The Man with Two Left Feet and Other Stories is a collection of short stories written by British author P. G. Wodehouse. It was originally released in the US on February 1, 1933, by A. L. Burt and Co., New York, and on March 8, 1917, in the UK by Methuen & Co., London. The Strand Magazine in the UK and The Red Book Magazine or The Saturday Evening Post in the US were the two journals where each story had previously been published. It is a compilation...

• Format: Paperback
• Language: English
• ISBN: 9357271740
• ISBN13: 9789357271745
• Release Date: December 2022
• Publisher: Double 9 Booksllp
• Length: 186 Pages
• Weight: 0.62 lbs.
• Dimensions: 0.4" x 6.0" x 9.0"

Customer Reviews

More from Wodehouse's fantasy world

Another collection of Wodehouse stories, only one of which ("Extricating Young Gussie") is a Bertie Wooster story. Reading these stories at the same time as the first volume of Theodore Sturgeon's complete short stories constantly had me drawing comparisons between the two writers. Wodehouse never wrote fantasy *per se* (that is, Bertie Wooster never encountered a genie or a god in his garden), but in truth his stories were always fantastical. As commentators have said, the idyllic world of young men in spats and authoritative aunts was a figment of Wodehouse's imagination, and never existed at any time in England. I don't think Wodehouse would have disagreed; he knew the power of fantasy. In this volume, he tells one story ("The Mixer") from the point of view of a dog, and one of his habits was to read the entire Shakespeare's collected works every year, and Willy wasn't a stranger to fantasy, either.

The master of comedy strikes again.

Another collection of Wodehouse stories, only one of which ("Extricating Young Gussie") is a Bertie Wooster story. Reading these stories at the same time as the first volume of the Collected Theodore Sturgeon constantly had me drawing comparisons between the two writers. Wodehouse never wrote fantasy *per se* (that is, Bertie Wooster never encountered a genie or a god in his garden), but in truth his stories were always fantastical. As commentators have said, the idyllic world of young men in spats and authoritative aunts was a figment of Wodehouse's imagination, and never existed at any time in England. I don't think Wodehouse would have disagreed; he knew the power of fantasy. In this volume, he tells one story ("The Mixer") from the point of view of a dog, and one of his habits was to read the entire Shakespeare's collected works every year, and Willy wasn't a stranger to fantasy, either. (This "review" originally appeared in First Impressions Installment Twenty-One [http://www.owt.com/users/gcox/fi.contents.html].)