Drawing on over thirty-five years of fieldwork, Patrick B. Mullen considers how African American cultural representations in folklore relate to racial dynamics in the United States. Providing insight into white folklorists' relationships with black consultants, The Man Who Adores the Negro describes the personal experiences of both fieldworkers and ethnographic subjects. Mullen explores how folklorists such as John Lomax, Newbell Niles Puckett, Alan...