The Making of the Wizard of Oz: Movie Magic and Studio Power in the Prime of MGM and the Miracle of Production #1060

by Aljean Harmetz

Book Overview

Released in conjunction with the 75th-anniversary DVD release of The Wizard of Oz , this book is the definitive story of how one of America's most beloved movies was made and a marvelous,... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0879100001
• ISBN13: 9780879100001
• Release Date: March 1984
• Publisher: Limelight Editions
• Length: 329 Pages
• Weight: 1.25 lbs.

Customer Reviews

A Peek Behind the Curtain

If you're a die hard fan of this classic film then you'll want to read this well-researched "making of" tome. The book is filled with all sorts of wonderful trivia tidbits but most of all it gives an insightful review of those behind the camera in a way I've yet to find in other "OZ" related books. The one and only shortcoming of this book is to be found in the number of pictures, in my opinion there could have been more, otherwise it's a behind the scenes look that most OZ fans won't be disappointed with.

What a wicked world! Me, a cult icon from an MGM kid-flick!

It doesn't matter unduly if you didn't grow up watching MGM's 1939 color movie "The Wizard of Oz" in re-release or on TV. You might think that a "Munchkin" is what used to be called a "doughnut hole." You may think of Judy Garland only as Liza Minnelli's mother, and avoid prewar movies like the plague. Maybe you didn't feel that shock of recognition that "Cora the Coffee Lady" in Maxwell House TV commercials was none other than Margaret Hamilton, the green-faced Wicked Witch of the West. Of course, if you love "The Wizard of Oz" you've love THE MAKING OF THE WIZARD OF OZ all the more. I just read this book for the second time (the first upon its initial publication), and was astonished and pleased by how well it has held up. Author Aljean Harmetz has crafted a book relevant not only in terms of one particular "prestige" movie off the Hollywood assembly line; but indeed her insight, research and friendly presentation make the book stand as a metaphor of all Hollywood filmmaking during the height of the Studio Era, ca. 1940. Perhaps the late Irving Thalberg was one of the few Hollywood insiders who could "keep the whole equation of pictures inside his head," but Ms. Harmetz opens up this world for us, and shows us both its realism and its wonder. We return to an era in which studio moguls were as eccentric and powerful as today's software barons, when studio hands were nonunionized yet intensely loyal to their studios, when no movie studio even thought about a future containing broadcast TV, when movie stars were better known than Presidents or Kings, and when Technicolor would give you any color except the one you wanted. Nonetheless, solving the creative problems inherent in bringing L. Frank Baum's novel "The Wizard of Oz" to the screen was seen as an invigorating set of challenges to be met and conquered. Back then, MGM had a real "can-do" attitude. So no one had ever created a moving tornado for a film? After two tries the MGM tech people got it right, and the depiction of that horrendous twister so set the tintype for what a tornado ought to look like that it persists in our collective consciousness today, despite today's ubiquitous video cameras. There were no tape recorders. How, then, to raise or lower voices artificially for dubbing? This book tells how. What happened when Buddy Ebsen almost died from an allergy to aluminum dust he had worn as the (originally intended) Tin Man? Why was Margaret Hamilton burned severely and ignored, yet Billie Burke turned an ankle and was whisked off the set in a white ambulance? Why did the film need four directors and half a dozen screenwriters, yet was fondly recalled as a labor of love by practically everyone except a prematurely embittered Judy Garland? Was the film the great commercial and critical success you might think it would be? And, by the way, what about those Munchkins' alleged sexual proclivities? Excellent answers provided by excellent research present a f

Phenomenal Encaptulation of the Making Of Oz

I am not an avid reader but my eye caught this book on a library shelf. I thumbed through it and found the pictures to be beautiful. I decided to give it a try and was terribly moved by the contents.Ms. Harmetz did her homework when she wrote this trivia-packed volume about those faithful months when 4 different directors molded what would become a television tradition.I also found that Ms. Hamilton's contributions to be some of the most interesting tidbits throughout the book, this despite the fact that her entire role in the film was a total of 12 minutes!Ms. Harmetz peaked an interest in me that has previously been non-existent. The book is phenomenal and you will finish it within one sitting-like I did! Anthony "Toto" LaPerna Jr.