The Magic Goes Away Collection: The Magic Goes Away, the Magic May Return, and More Magic

by Larry Niven

Book Overview

Larry Niven created his popular "Magic Goes Away" universe in 1967, and it has been a source of delight and inspiration ever since. By asking the simple question, What if magic were a finite resource?, Niven brought to life a mesmerizing world of wonder and loss, of hope and despair. The success of his first story collection, The Magic Goes Away, birthed two sequel anthologies, The Magic May Return and More Magic. All...

• Format: Paperback
• Language: English
• ISBN: 0743416937
• ISBN13: 9780743416931
• Release Date: February 2005
• Publisher: Gallery Books
• Length: 368 Pages
• Weight: 0.90 lbs.
• Dimensions: 0.9" x 5.5" x 9.6"

Customer Reviews

Excellent stories dealing with Magic

"The Magic Goes Away Collection" has stories from three separate collections of stories that are from "The Magic Goes Away" fantasy universe created by Larry Niven. All the stories are good. I think Larry Niven's stories are particularly good. The novella, "The Magic Goes Away", was the start of this universe and is based on a new concept for Magic universes. Larry did good! There are some stories by other authors, but they are good, too. I recommend this book for anyone who has ever enjoyed a magic-centered fantasy.

The magic has returned!

The idea of magic as a non-renewable resource is such a simple, logical concept that once you see it you wonder why everyone isn't treating it that way. It just makes everything so much more interesting because it ties magic in with the real world. This is a great collection of stories by various authors. As you might expect, because of this the styles and quality tend to vary as well, which is why I took off a star.

Variable quality, but engaging "SF-fantasy" from 9 authors

Larry Niven fans should be aware that this book features work by nine authors, including Niven himself. He contributes a one-page introduction, "The Magic Goes Away" itself, "Not Long Before The End", and "The Lion In His Attic". There is also "Talisman", a collaboration between Niven and Dian Girard. Of the 358 pages, Niven alone contributes 125 (35 percent); if you include "The Talisman", this rises to 160 pages (45 percent). For my money, the first two stories stand head and shoulders above the rest (with one exception). "The Magic Goes Away" is more of a novella than a novel, running just 90 pages, but its striking originality makes it linger in your mind. The basic thesis is that magic used to exist, long ago, but that it depended on a natural resource called mana which the magicians of the time depleted, just as we are using up fossil fuels. This simple change to our understanding of the universe allows Niven to construct an elaborate "alternative history" while technically keeping one foot in the domain of science fiction. For instance, we read how Atlantis was preserved by spells woven by its priest-kings, which gave way when Greek invaders killed the priests. The plot concerns how a group of sorcerers join together, in spite of powerful enmity and distrust, to find some new source of mana - without which their longevity spells will lapse, dooming them to immediate death (as they are all hundreds of years old). Their quest involves crossing the ocean on cloud-tops, and planning to steal the last surviving god from its place of rest. "Not Long Before The End" is a "prequel" to "The Magic Goes Away", giving a full account of a critical incident merely referred to in the earlier story. Although only ten pages long, it has the mixture of excitement and intellectual adventure that characterize Niven's best work. "The Lion In His Attic" is set in a drowned castle, years after the flooding of Atlantis. Two strangers arrive, ostensibly on honeymoon, but actually seeking a magic emerald. They make the mistake of underestimating the "lion" of the title, who is actually a were-sealion. "The Talisman", co-authored with Dian Girard, though perhaps less ambitious and more subtle, paints an equally fascinating picture of magicians, thieves, kings, and soldiers. The other stories are a mixed bunch, but none of them is less than readable. Fred Saberhagen contributes "Earthshade", an elegant miniature that neatly imports the Greek pantheon into Niven's "magic" universe. Less exalted, earthier and more complicated is Dean Ing's "Manaspill", which deals with how a court magician might use a windfall of mana to further his ambitions. I admit to being rather baffled by Steven Barnes' "...But Fear Itself", with its mystical vision of an enslaved tribe that uses the magical power of its children to wreak a terrible revenge on their oppressors. Poul Anderson is a writer whose books I have alway enjoyed, and "Strength", which he co-wrote with Mildred Downey Br

It's about time

Larry Niven, primarily known for his hard science fiction, is equally adept at fantasy. "The Magic Goes Away", his masterpiece in this genre, has been out of print for years, and increasingly difficult to obtain. At last, it is available again.