The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination

by Sandra M. Gilbert and Susan Gubar

Book Overview

Called "a feminist classic" by Judith Shulevitz in the New York Times Book Review, this pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later.

• Format: Paperback
• Language: English
• ISBN: 0300246722
• ISBN13: 9780300246728
• Release Date: March 2020
• Publisher: Yale University Press
• Length: 744 Pages
• Weight: 1.36 lbs.
• Dimensions: 2.0" x 5.0" x 7.7"

Customer Reviews

Another gem.

Could this have been titled "The Misreading of 19th Century Female Novelists"? "The Madwoman" is not an easy read: it's an academic effort and a superb effort at that. But the casual bronteelioteyre fan will be lulled into a sense of familiarity -- "yes, I remember reading that" -- only to discover too late that he / she has completely missed the point of all those famous 19th century novels, at least from the perspective of these two clever, insightful, witty women who somehow came together to write perhaps the definitive feminist view of 19th century female novelists. Taking just one example out of hundreds: after reading their discussion of Jane Austen's "Northanger Abbey," I re-read the novel and couldn't stop laughing at this parody. Even more entertaining was the fact that so many critics panned "Northanger" when it came out, misreading that it was a parody of the entire genre of the romantic (with a small "r") novel of that era. [Added later (November 11, 2008)]: this is one of the landmark books in "feminist studies." Whether one agrees with these authors, the fact is that any newer work on feminist studies will quote this book. Someone remarked that the authors are very verbose; they needed a better editor with a red pen, but that's fine. Sometimes it takes multiple explanations before the reader understands the concept. I find myself going back to this book often to look up a specific author / specific work. I continue to highly recommend it.

A Former Student's Opinion

As a former student of Susan Gubar, I would have to recommend this book to anyone interested in a deeper understading of the novels covered and also finding a different perspective to the traditional critical approaches. As a groundbreaking work, this collection critically looks at and analyzes many different aspects approaching the anxiety of female authorship. This work is truly interesting, and to all of the naysayers, I can vouch that the authors are have a very compelling and informed perspective. The second edition proves that it is a work that will be around for a very long time and that the work will not fall into obscurity, for it is a inspired work of literary criticism. I would recommend this to anyone who seeks a deeper look into the popular women novelists.

Gibraltor

This is a great re-structuring view of Women artists in the Victorian era. Once you've read this, everything looks different and it makes you want to re-visit novels like Jane Eyre and Middlemarch and Sense and Sensibility just to see how much they have changed. Madwomen is a work of creativity as much as criticism. It changes you. Once you have read this, you find yourself in a whole different ocean.

A Seminal Text in Gothic Scholarship

What scholar of the Gothic, particularly the Female Gothic, could do without Madwoman? Named for Bertha, the mad wife locked in the attic of Thornfield Hall in Charlotte Bronte's Jane Eyre, Gilbert and Gubar's work on nineteenth-century women writers and their texts is essential in this field.Well written, insightful, imaginative, and authoritative, Madwomen in the Attic is, in my opinion, a seminal text in Gothic literary scholarship.I highly recommend this book, and its companion book "No Mans Land."