The Lone Ranger and Tonto Fistfight in Heaven

by Sherman Alexie

Book Overview

"Alexie's prose startles and dazzles with unexpected, impossible-to-anticipate moves. These are cultural love stories, and we laugh on every page with a fist tight around our hearts."-- The Boston... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0871135485
• Release Date: January 1993
• Publisher: Atlantic Monthly Press
• Length: 223 Pages
• Weight: 1.06 lbs.
• Dimensions: 9.8" x 1.0" x 6.5"

Customer Reviews

Authentic Immersion

Sherman Alexie is a voice like no other. He opens our eyes to the world of the reservation with pure honesty and abundant humanity. His words are perfect, his stories exceptional. He grabs our hearts and doesn’t let go. We come to know him in pain, in purpose, and in unfolding vision. The people in his life are as real in expression and experience. I am forever a fan of this author.

Absolutely devastatingly beautiful

If you want a happy book, then this is not the book for you. There are happy bits to it, and it ends on a more positive story, but don't open it and expect a good time to be had by all. I absolutely loved his book and I would love to read it again sometime.

BRILLIANT, BITTERSWEET TALES OF LATTER-DAY AMERINDIAN LIFE

This is my personal measure of Sherman Alexie, the gifted young Spokane/Coeur d'Alene Indian writer: He caught my attention in a recently rebroadcast "60 Minutes" feature story. What appealed to me was his sardonic wit--edgy, thoughtful, ironic, challenging, and, yes, I thought, a bit sad. I told myself, Let's see if he can really write, let's see what he's got to say. So I pick up one of his books of prose; within a week, I had read three. This outstanding collection of interrelated stories was the first. Very, very impressive! I loved his writing, his crisp, bone simple and straight style. I felt for his finely etched characters, a handful of them--especially one named Victor, presumably the author's stand-in--recurring throughout. And these are all stories with bite."Maybe hunger informs our lives," says the narrating voice of "Family Portrait." Roughly the first half of this book exposes us to what it means to be "Native American" today: The spoils of defeat--the tight-lipped, self-destructive despair of a once proud, historic people reduced to segregated conditions. Isolated from the white world, isolated from their own traditions. Subject to poor housing, education and food, chronic unemployment, rampant alcoholism, diabetes, blood fights and bloody ends.Alexie's sharp depictions of conflicted identity, uncertainty in the everyday and lifelong struggles for survival on the Spokane Indian reservation, the contradictory capacities for tenderness and tragedy, beauty and brutality, breaks down our detachment, jars us into realizing both the unique and common human attributes of his people. What he induces is simply called "empathy." As another who grew up in a "reservation"--"the urban ghetto"--I felt that same incoherent rage that plagues so many of his characters. In the commonweal of pain, it was a further demonstration that "you can take the boy out of the country, but you can't take the country out of the boy." Yeah, okay--"empathy." At the halfway point, I was ready to start writing this review--no question, Alexie had shown he had the literary goods and I wanted to proclaim it--but something told me, first finish the book. Good thing. Why? Because he tricked me--he still held an ace up his storytelling sleeve. "Hope feeds among the tombs," Melville wrote. "Always darkest before the daylight," goes the tireless adage we've all heard somewhere from our elders. "That's how I do this life sometimes by making the ordinary just like magic," says the narrator in one of Alexie's stories ("Jesus Christ's Brother is Alive and Well on the Spokane Indian Reservation"). "Every Indian learns how to be a magician and learns how to misdirect attention and the dark hand is always quicker than the white eye . . . no matter how close you get to my heart you will never find out my secrets and I'll never tell you and I'll never show you the same trick twice." Might be Alexie begins his sleight of hand with the (deliberately) Kafka-esque tale of the trial of

...And it feels like home

I initially picked this book up for two reasons--I liked Alexie's novel, Indian Killer, and more importantly because I live in Spokane, WA and have traveled extensively through the Reservations and towns that are described in the stories. The descriptions and the characters are very realistic, the names and places are not very fictionalized, and it makes me feel right at home. Fortunately for those readers not privleged to live in the Inland Northwest, the stories also teach a lot about Indian culture, the modern Native American and their heritage. It is a disturbing picture at times with too much alcaholism, violence, and racism, but underneath it all there is a great deal of love which makes the stories comforting and redeeming. Alexie has a lyrical voice, and when combined with his authenticsity, beautiful, rich stories are produced. Aside from those academic traits, he is also very funny, honest, and affectionate throughout, and those qualities are what I will remember about this book far more than the descriptions of familiar hotels on Third Avenue and the basketball games played between Springdale and Wellpinit. It is a great, quick read, and a wonderful way to pass an afternoon.

POWERFUL!

Real life, on and off the Reservation. This is a collection of insightful, unflinching, yet sometimes laugh-out-loud funny snapshots of contemporary Native American life. Here is one of my favorites: "Adrian and I sat on the porch and watched the reservation. Nothing happened. From our chairs made rockers by unsteady legs, we could see that the only traffic signal on the reservation had stopped working. ... We watched the grass grow and the rivers flow." (Which, of course, is treaty language.) "It's hard to be optimistic on the reservation. When a glass sits on a table here, people don't wonder if it's half filled or half empty. They just hope it's good beer. Still, Indians have a way of surviving. But it's almost like Indians can easily survive the big stuff. Mass murder, loss of language and land rights. It's the small things that hurt the most. The white waitress who wouldn't take an order, Tonto, the Washington Redskins."

Great Collection of Stories.

This is an awesome collection, but when you read it, keep in mind that the stories are not supposed to be connected. Each wonderful story stands on its own and portrays reservation life from the perspective of different characters, although some characters appear peripherally in more than one story. Some may say that Alexie is angry and that this book describes a life of alcoholic depressiveness on the Rez; in reality he is just describing much of what is. There is love and caring and pride and intelligence right next to the stuff one might consider ugly. Reading this book will alternately make you sad and happy--that's what Life is anyway.And go rent the movie, Smoke Signals; Alexie wrote the screenplay for it based on some of the scenes from this book, but don't expect the book to be like the movie or vice versa. Alexie is a talented young writer who deserves the attention he is getting.