The Likeness: the inspiration for the major new BBC drama series DUBLIN MURDERS (Dublin Murder Squad)

by Tana French

Book Overview

New York Times bestselling author Tana French, author of the forthcoming novel The Hunter, is "the most important crime novelist to emerge in the past 10 years" (The Washington Post) and "inspires... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0340924799
• Release Date: May 2009
• Publisher: Hodder Paperbacks
• Length: 704 Pages
• Weight: 1.10 lbs.
• Dimensions: 7.8" x 1.6" x 5.2"

Customer Reviews

Excellent Read

Another great read from Tana French. I do wish the killer was less predictable, but still couldn't put it down.

Fun mystery!

Really interesting story and I liked the tie ins from the previous book by the author.

Feckin' genius

It's feckin' genius, that's what it is. I couldn't write a single sentence as well as Tana French if I started now and lived to be a thousand. And she wrote a whole book, two books, of them. Flawlessly. Word after word, sentence after sentence, paragraph after paragraph, until the book is as perfect as it could be. It boggles the mind, it really does. The first time I picked up Raymond Chandler, I knew I was in the hands of something profound and mysterious. I haven't had that feeling again for many years, till In The Woods, and even more powerfully, The Likeness. Here's an Australian sheep rancher, talking about his daughter: "But when she was nine, her mother had hemmorhaged, ...and bled out before a doctor could get there. 'Gracie was too young to hear that,' he said. '...I knew as soon as I told her. The look in her eyes: she was too young to hear it. It cracked her straight across.'" "It cracked her straight across". That's the power of metaphor in the hands of a master. It conveys in a way that touches the heart what exactly happened, in the same way that Shakespeare would use metaphor and words. It's a privilege to read Tana French, it really is. I feel only pity for the person who wrote of the unbelievable plot, I do. This book isn't about a plot, just as Chandler wasn't about plot, just as we don't read Shakespeare for the plot. Anyone can do plot; but to give feeling and life, undoubted life, to characters on paper, that is to marvel at.

The hawthorn as extended metaphor

There will be no spoilers in this review. As in her first novel, In the Woods, Tana French has created another sensuous, lyrical, haunting, suspenseful story. Although it is considered a mystery, it is much much more than that. It is a story of identity in all its literal and metaphorical forms. It is a social commentary (but never sententious) and it is also about fear and flight and love. Casie Maddox and Sam O'Neill are detectives from In the Woods. Although Operation Vestal (from In the Woods) is mentioned several times, these books can be read in any sequence without ruining it for the reader. The setting is again Dublin, Ireland. Cassie is the star attraction of this story as she goes undercover to live with four liberal arts doctoral candidates whose housemate, Lexie Maddox, is found dead from a stabbing in an abandoned cottage. Lexie Maddox looks exactly like Cassie, and the name is her last undercover alias, which adds to the mystery. The housemates will be told that she survived the stabbing. It isn't necessary to give too many plot details. What is more important is the response from reading. This is a generous, gorgeous, thoughtful, poetic story. The tone is almost elegiac at times, especially during her descriptive paragraphs, and the author's use of the extended metaphor is prolific and often profound. At the end of the novel, I looked up hawthorn (the tree, flower, bush) on Wikipedia and had a chill run up and down my spine. Her descriptions, turns of phrase, elegant passages and graceful unfolding keep me fastened and fascinated. What I love about Tana French is that her novels are both character-driven AND plot-driven. She does not sacrifice one for the other. With most mysteries, I only read them once. But The Likeness can be read again just for the aesthetics. Also, there is no deus ex machina here. The story is excellently paced with a well-timed delivery of its climax. Tana French is no lightweight, but she makes the story accessible to anyone who enjoys reading. She has that gift to appeal to a variety of readers-- even readers who look for largely escape mysteries. But this is not escape reading; it is the kind of reading that makes you ponder. It is philosophical and it echoes. It has shadows, swirls, hollows, heart,humanity, tension, suspense, whispers, hawthorn, hawthorn, hawthorn... I look forward to the third book that Tana French is working on, with Frank Mackey (from The Likeness) as the main protagonist.