The Life and Times of R. Crumb: Comments from Contemporaries

by Monte Beauchamp and editor / introduction by Matt Groenig Beauchomp, Monte

Book Overview

Collects tributes to the controversial artist and underground comix pioneer by Roger Ebert, Alan Moore, Harvey Kurtzman, and Matt Groening.

• Format: Paperback
• Language: English
• ISBN: 0312195710
• ISBN13: 9780312195717
• Release Date: January 1998
• Publisher: St. Martin's Press
• Length: 182 Pages
• Weight: 0.86 lbs.
• Dimensions: 0.5" x 7.5" x 8.0"

Customer Reviews

A most wonderful book

A gem of a book. Thanks to the memoir approach its editor took, this particular Crumb compendium makes for an entertaining, refreshing, and insightful read. Picks up where Zwigoff's documentary "Crumb" leaves off. Of all the R. Crumb histories ever produced, I found it to be the best, and 100% worthy of the plug Vanity Fair chose to give it.

5-Star if you are a huge fan of R. Crumb -- but FANS ONLY

This is one I would have given 4.5 stars had that been a choice, and that would have only been a slap on the hand of the editor who included 3 or 4 (mostly short, thank God) really repugnant commentaries in this book. I don't mind people disliking Crumb or taking offense to him, but when it's just petty and non-understandable, why print it? Okay. for that it lost half a star. HOWEVER, this book is a treasure trove of odd information about Crumb when it's not interesting information about the times and career in which he lived or about another fan -- who just may happen to be a cartoonist or some such -- talking about his or her take on Crumb. I could not put this book down until I finished it (except to go to sleep at night -- okay, so I'm a slow reader, but that's because I love to linger on that which fascinates me). And just for the record, I'm a little younger than Crumb but still somewhat a contemporary of his and I have a big butt and big legs and I APPRECIATE his positive desire for such attributes in a world where the media has nearly always pushed the thin button. And no, it very rarely bothers me to see his "misogynistic" comics. Very few panels have bothered me enough to think "I wish he would not have drawn that." Okay, there ARE some things I wish he hadn't drawn, but my gosh, I've read probably thousands of pages of his comics and really I take most of that stuff at comic face value. It's okay. He can do that because he is a GREAT artiste and I'm amazed he doesn't bore or offend me a HECK of a lot, because most of his competitors tend to bore or offend me 20 times more often. Not a great fan of R. Crumb? Then get one of his comics collections instead. A feminist that can't stand seeing hostility toward women in comics? Then get "The Sweeter Side of R. Crumb" which was made "just for you." Only get this book if you are ALREADY a die-hard fan of R. Crumb, because only his true fans can appreciate this collection, warts and all. And a big fan would not want to miss this book!!

Great Collection of Anecdotes

Robert Dennis Crumb is one of the more singular artistic talents America has ever produced. His deeply weird and unfettered genius gave birth to the underground comix of the 1960s and helped to separate comic books from capes and wish-fulfillment, bringing about the field of alternative comics as we know it. His work, beloved by some, reviled by others, has had a giant impact on comics people, from writers to publishers to editors, and they've all got something to say about the man. The style and length of these appreciations vary greatly, from Alan Moore's commentary on Crumb's impact on him as a teenager, to the Rev. Ivan Stang's vision of Crumb as trend-evading creator, to Matt Groening's relived glee as a childhood consumer of illicit cartoons. This book makes for a fine, episodic read, the perfect thing to pick up, read some essays, and put it down again for a few days. Whether you enjoy it or not depends on how much you like comics, the history of comics, general weirdness, and the reminiscences of aging hippies about the zany 60s. Other reviewers have complained that the essays presented here are not deep. What of it? This is not intended to be a great work of scholarship, but a collection of comments from contemporaries. If you don't want to read reminiscences, then don't buy it or read it. If you want to learn more about what people think about Crumb, either back in the old days or now, give it a try.