The Last Quarry

by Max Allan Collins

Book Overview

QUARRY'S BACK - FOR HIS TOUGHEST JOB EVER. The ruthless professional killer known as Quarry long ago disappeared into a well-earned retirement. But now a media magnate has lured the restless hitman... This description may be from another edition of this product.

• Format: Mass Market Paperback
• Language: English
• ISBN: 0843955937
• ISBN13: 9780843955934
• Release Date: January 2006
• Publisher: Hard Crime Case
• Length: 201 Pages
• Weight: 0.25 lbs.
• Dimensions: 0.6" x 4.3" x 6.7"

Customer Reviews

It's a Hit

I never read any Quarry stories but I'm familer with Collins work. This Story is about an aging hitman who wants to retire but his proffesion catches up with him. Offered one final job Quarry accepts for the cash and fear of being exposed by his employer. Quarry soon finds his hit is a beautiful woman who's a librian that reads to kids. Quarry soon has doubts on doing his job, since all previous jobs dealt with mafia crimanials,pimps and other scumbags who deserved to die, this woman in his survalance is none of those and cannot figure why she should die. Quarry reasons their more going on than meets the eye but does he do the job or refuses and risk exposure? Collins delivers the goods.

Reviewing: The Last Quarry

Quarry was a hit man and very good at his job. These days he is retired and not so good at that. He retired not because his conscience was getting to him, but because he had amassed enough money to live comfortably and not kill for money any more. So, he quit and through a contact he started managing a small resort that may or may not he located along Sylvan Lake in Minnesota. Life is pretty good all things considered. But, he is having a small issue with insomnia. The fact that it is winter and everyone is gone except the maintenance guy, José, doesn't help. With the place closed and nothing to do except keep an eye on things, he is bored out of his mind. Very late one night he takes a 10 mile trip to the nearest convenience store for a little junk food and instead finds a contract killer who knows him. That killer, like a domino in a long line of dominoes, provides a way to deal with his insomnia and ultimately one last job. According to the multi page author's note, this book was originally inspired by his anthologized short story "A Matter of Principal" (which is also a short film in the "Shades of Noir" collection and his short story "Guest Services." Fortunately for the author and readers, Charles Ardai wanted to not only reprint some of his earlier books, he also wanted an original Quarry novel for Hard Case Crime. That request ultimately became this book which is a fast read at 194 pages and features distinctive cover art by the legendary Robert McGinnis. In those 194 pages, Max Allan Collins showcases an anti-hero of sorts who is what he is and accepts that with no excuses. He knows what he is and how he became what he is and when he makes a mistake, Quarry accepts it and moves on. This is a guy who does his job, expects others to follow through on their part of the contractual bargain and is perfectly willing to enforce compliance as well as accept his change of plans should the need arise. The result novel is an engaging tale that pulls no punches as it touches on the themes of murder, deceit, familial love and jealousy and the plain simple truth that some folks just need killing. Kevin R. Tipple (copyright) 2008

Quarry is as hard as they come

I generally read most anything Max Allan Collins writes (especially under the HARD CASE CRIME banner) and THE LAST QUARRY was no exception. I'd never heard of Quarry before picking this one up and felt like I'd missed the boat big-time when I'd finished. Easily one of the best hitman characters I've ever read and it just bummed me out this was the last one. I finished this one in about 2 hours and I consider myself a slow reader. Great hardboiled fun.

One of Collins' best yet

The story of why we are blessed with a new Quarry novel from Max Allan Collins after all these years is related in the author's afterword of the Hard Case Crime publication of THE LAST QUARRY. I will note that the work was inspired by a shorter film version, which in turn is one of the stories featured in the film anthology SHADES OF NOIR, which itself is based upon... Well, you get the picture. By turns dark and humorous, the Quarry of THE LAST QUARRY is a hit man, and a principled one at that. He has retired from the life, but the life has not retired from him. Living quietly and contentedly as the manager of a vacation lodge, Quarry abruptly finds his past intruding on his present when a simple late night trip to the local convenience store brings him into a hostage-for-ransom situation involving some former acquaintances. Quarry makes a split decision and interjects himself into the matter in a somewhat unpredictable way, which is worth the price of admission by itself. Doing so unexpectedly results in Quarry being offered "one last job," a hit with a payday so good that he'll never have to worry about anyone again. But the target is a woman who, according to Quarry's employer, doesn't deserve to die but will become a "problem." Quarry shadows the woman and plans the hit. What he doesn't plan on is becoming involved with her, but that is precisely what he does. Quarry thus is faced with a conundrum: someone has to die. He knows what he should do, but what he must do is quite another thing. The result is a suspenseful, wild night's ride, leading up to a shattering climax with a surprising but oddly satisfying denouement. While Collins no doubt will be remembered most for his classic THE ROAD TO PERDITION, the greater body of his work is closer to THE LAST QUARRY, and it is with books such as the latter that he has built and maintained a reputation as one of the finest writers of crime fiction that the U.S. has produced. And at this late date, Collins, as exemplified by THE LAST QUARRY, continues to publish some of his finest work. --- Reviewed by Joe Hartlaub

Triumphant return for Quarry

Thirty years ago, author Max Allan Collins created the first hired-assassin series character in Quarry, the protagonist of his novel, The Broker (later republished simply as Quarry). Quarry appeared in four more novels, ending with 1986's Primary Target, and then didn't show his face (except for a few short stories, eventually collected along with the novel in Quarry's Greatest Hits) for almost two decades, until a young filmmaker named Jeffrey Goodman politely badgered the author to let him make a short film of one of the short stories, "A Matter of Principal." Collins eventually gave in, having been impressed by Goodman's tenacity, with the provision that Collins himself would write the screenplay. (His own bad experiences in Hollywood during the making of The Expert had made Collins wary of others directing his material and Collins has at this writing helmed three features himself. All of them are available, including the short film of "A Matter of Principal," in the DVD box set Max Allan Collins' Black Box Collection.) The short film was a hit on the festival circuit and won a number of awards. This led to Goodman's idea for making "A Matter of Principal" into a feature, which would of course require another screenplay from Collins. Coincidentally, Charles Ardai had also asked Collins for a new Quarry novel to publish for his Hard Case Crime line, and it only made sense to combine the requests. The Last Quarry is therefore a brand new Quarry novel and also an unofficial novelization of the feature film, as yet to be made. (Collins has vast experience with novelizations, including novelizing the screenplay -- not written by him -- of his own graphic novel, Road to Perdition.) The resulting novel is some of the best and tightest fiction Max Allan Collins has ever written (and it's dedicated to the director "who brought my killer to life"). Anyone who has read "A Matter of Principal" is going to feel a strong sense of déjà vu for the first three chapters, but that's just the lead-in to the real story as a millionaire hires Quarry to kill a meek librarian, whom Quarry then proceeds to fall for, making the all-too-familiar mistake of mixing emotions with business. As in its predecessor, previously unforeseen connections appear between characters, making for some interesting surprises in this concise suspenser. Collins doles out the words in The Last Quarry only as needed, in keeping with Quarry's laconic personality -- he doesn't waste time, words, or bullets -- and fills barely 200 pages with the same amount of story that a less careful author would stretch to twice that length. And this killer shows a distinct sense of humor, peppering his narrative with occasional asides that raise a chuckle or sometimes even a full-bellied laugh. It is obvious that Collins likes Quarry (and he seems to contain a good amount of Collins himself, based on what I've seen from interviews on his DVDs) and is having a lot of fun with this final outing (at l