The Language of Passion: Selected Commentary

By Mario Vargas Llosa

Book Overview

Internationally acclaimed novelist Mario Vargas Llosa has contributed a biweekly column to Spain's major newspaper, El Pais, since 1977. In this collection of columns from the 1990s, Vargas Llosa... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0312422547
• ISBN13: 9780312422547
• Release Date: January 1900
• Publisher: Picador USA
• Length: 304 Pages
• Weight: 1.50 lbs.
• Dimensions: 0.8" x 5.4" x 8.2"

Customer Reviews

A Political Man of the World

Most columnists, at least most American columnists, tend to specialize. They write on politics or art or culture or economics. But Vargas Llosa, Peruvian novelist ("Aunt Julia and the Scriptwriter") and essayist ("Making Waves"), refuses to be pinned down. In the "Touchstone" column he writes for Spain's major newspaper, Vargas Llosa laments the demise of the British Reading Room with the same conviction and assurance with which he lambastes the leadership of the Chiapas rebels in Mexico or celebrates the erotic abandon of Rio's four-day Carnaval.Vargas Llosa has been writing his column since 1977 and this second collection includes columns from 1992 to 2000. The title, which comes from a tribute to fellow writer and "intellectual agitator" Octavio Paz, is a fitting one. Not that Vargas Llosa could ever be accused of hot headedness. Though he does tend to describe destructive elements on the extreme right or left as "idiots" or "absolute idiots," his impassioned opinions are informed by 60 years of global travel, observation, reading and thought.His politics can be described fairly simply - he believes in secular democracy and the free market. Socially he is moderately liberal. But those simple terms embrace a host of cogent arguments and ironic observations from around the world.Vargas Llosa relishes irony and contrast. There is amusement in his vivid description of the bejeweled rich who paid big money to sit enraptured at a lavish production of Bertolt Brecht and Kurt Weill's masterpiece of anti-capitalism, "The Rise and Fall of the City of Mahagonny. A bitter irony is found in the appropriation of the liberal argument for multiculturalism in defense of the abhorrent practice of female "circumcision" among immigrants to Western countries. More baffling is the contrast found in a thoughtful intellectual known for penetrating literary criticism and subtle reflections on the various world religions, whose 1939-45 "Journal," is filled with an obsessive anti-Semitism that "lingers like a noxious miasma in the reader's memory, like the stink of cheap brothels, the smell of sharp tobacco, dirty feet, and rue-water that cannot be washed away or masked with dousings of cologne."He pokes fun at those who proclaim the death of literature and the demise of culture, like the French functionaries who believe "that languages must be shut up in concentration camps and guarded by flics and mouchards disguised as lexicographers". He rails against those who would preserve their culture with hate mongering or use their religion to deny others their human rights (particularly women). But the most moving and inspiring pieces are his brief portraits of the people he admires, like methodical Vermeer's passionate perfection, Monet's obsessive search at the end of his career to paint the elusive qualities of reality, Frida Kahlo's "Painting to Survive."One of the best is his evocation of Nelson Mandela from a visit to his prison at Robben Island. Another, completely d

The Heart of the Neoliberal

Mario Vargas Llosa's new book of essays is a selection of his newspapar columns from the early 1980s to 2000. The range of subject matter is quite broad, from Carnaval in Rio ("The Permanent Erection") to the Israeli-Palestinian conflict ("A Walk Through Hebron") to economic aid for the Third World ("Aid for the First World"). Vargas Llosa uses several of these essays to stand up for the values and beliefs that he holds, which seem to boil down to three clear ideas: democracy, academic clarity and the free market. In "Seven Years, Seven Days," Vargas Llosa criticizes the anti-democratic policies of the Fujimori presidency in Perú, while praising Fujimori for adopting certain neoliberal policies. He makes his opposition to Hugo Chavez apparent in "The Suicide of a Nation." In "The Life and Trials of Elián," the author laments the fate of Elián González, as well as the victory that Castro ("one of the most repugnant dictators ever produced by the authoritarian fauna of Latin America" p. 264) scored in the whole debacle.Vargas Llosa believes equally strongly in the free market, and takes George Soros to task for doubting it in "The Devil's Advocate." And he makes his plea for academic clarity and sets himself in opposition to obscurantist postmodern philosophy in "Postmodernism and Frivolity."Some of Vargas Llosa's opinions, nevertheless, seem limited to the times in which they were written. As the most recent of the essays were published in 2000, what does the author think about the Argentine meltdown? Does the unequal playing field of the free market deserve any blame, or can corruption and mis-management explain it all? What about the recent riots in Bolivia, where water privatization has aggravated resource-distribution conflicts? (Vargas Llosa is very complimentary of Bolivia's political class and policies, at least in comparison to Italy's, in "Italy is not Bolivia.")Whether you agree with Vargas Llosa's opinions or not, these essays are well-written and truly provide food for thought. I highly recommend this book.