The title, as well as a great deal of the body of this extraordinary book, makes the point that modern music has, or perhaps at bottom is, a language. To a casual reader this may seem plausible enough, but not only is it an uncommon view, it has not before been urged with such brilliance and insight...A classic in the field not only of musicology but of cultural studies."--From the Introduction, by Edward W. Said Mitchell's argument is based...