The Journey

by Ida Fink

Book Overview

In the autumn of 1942, two young Polish women flee the ghetto and embark on a journey into the heart of enemy territory, working as hired laborers in the factories, farms, and villages of wartime... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0452270154
• ISBN13: 9780452270152
• Release Date: August 1993
• Publisher: Plume Books
• Length: 256 Pages
• Weight: 0.55 lbs.
• Dimensions: 0.7" x 5.3" x 8.0"

Customer Reviews

Howard- student review

The Journey (1992), written by Ida Fink, is a historical novel depicting two Jewish sisters attempting to escape from Poland into Germany to avoid Nazi persecution during the 1940's. Translated from Yiddish by Joanna Weschler and Francine Prose, the story conveys the truth about the Holocaust through the eyes of eldest sister, Katarzyna. Ida Fink's ultimate theme throughout the novel is the immense courage and strength one must possess in order to create her own destiny instead of surrendering to life's given obstacles. Ida Fink, a Holocaust survivor, was born in Zbaraz (currently in the Ukraine) into a Jewish family in 1920. Similar to the sisters, Fink escaped from Poland in 1942 into Germany disguised as a Polish farm worker. It is through her first-hand experience that Fink writes, adding an autobiographical flair to her novel. Now, she lives in Israel where she writes, in Polish, solely about the Holocaust. Fink has also written two other short fiction books: A Scrap of Time (1987) and Traces (1996). In this particular novel, the story closely follows two young Jewish sisters attempting to survive by hiding in Germany during the 1940's. In the beginning, it seemed fairly simple; these two Jewish girls would receive new identification as Polish volunteer workers traveling to Germany. It turns out that this was the easiest step, and it only became more complicated with each passing day. As the girls are forced to continuously change their identities in order to survive, Fink chooses to emphasize Katarzyna's uneasy feelings towards acting unlike herself by purposefully switching the narration between first and third person. Even if she is not acting like herself, Katarzyna takes on every new complication with courage, optimism, and a little luck from her broken horseshoe. With each new obstacle, Katarzyna faces it with the utmost courage and optimism. While stationed in the transit camp, the sisters are under high suspicion of the Gestapo. By staging a sudden outburst that a typical Polish peasant would under the circumstances, Katarzyna is practically forced to leave the room. She "didn't know this litany of curses, together with [her] throwing the documents down on the table before anyone even asked for them, that all of this would help [her] more than the best identity card and rubber stamps." Obviously, this incident gives light into the real horrors that could happen at any moment to the Jews. Through this specific situation, Katarzyna's personality is revealed as she uses her brave instincts, like always, and takes complete control of the situation which ultimately enables both her and her sister to leave the Gestapo's office unharmed and to continue on their journey. As a whole, I feel that this book is immensely successful and effective. In comparison to other Holocaust novels I have read, such as The Sunflower by Simon Wiesenthal and All But My Life by Gerda Klein, this novel gave me a more tangible perspective of this dev

An amazing book of courage

The Journey (1992) by Ida Fink is an auto-biographical novel about two Jewish sisters that disguise themselves as polish peasants that volunteer to work in Germany during the Holocaust. This novel was originally written in Yiddish and was translated into English by Joanna Weschler and Francine Prose. Ida Fink's ultimate theme in this novel is courage that shines in the face of fear. Through the course of the novel we see the young protagonist's courage become stronger at each step of her journey. Ida Fink herself is a Holocaust survivor, a Jew born in Poland in 1921. She was only twenty-one when she fled Poland to live in Germany much like the two sisters in the novel. She lived in the disguise of a Polish farm worker volunteering to work in Germany during WWII. She now resides in Israel with her husband. The novel does portray some similar situations that Fink went through herself, but this novel is certainly not a personal life story. Ida has also written two other Holocaust literature novels. The story begins with our protagonist, Katarzyna, and Elzbieta preparing to flee their home country of Poland. They are teenagers, sisters, and most important, Jews. Their Father has made arrangements for them to travel to Germany disguised as Polish peasants volunteering to work for Germany and the war effort. We follow the girl's tenacious journey from people that despise them for who they really are and in some cases use it against them. The girls are blackmailed, helped, and even questioned on their religious preferences. We see how people are taught to hate and blame the Jews for everything that goes wrong. The girls are not only faced with problems from outside forces, but also personal problems that break them down mentally through the course of their painful journey. The internal battle that our young protagonist herself fights is for her personal identity. She and her sister both change their names a total of three times during this novel. Katarzyna however starts to feel like her disguise is taking over her everyday actions. She believes that she has lost her true identity. There is a quote that expresses her feelings towards this. It says," Maria was gaining on me. That first night I had a dream about a clearing in a forest in which there was a little wooden house, locked and bolted, uninhabited, surrounded by a low, wooden fence. The next Sunday, Barbara and I went to the woods for a walk and there, suddenly, I saw the house from my dream. We took this as a good omen". This quote to me expresses how the girl that she once knew is now locked under the person she has to pretend to be. This novel expresses the continuous fear of being caught. As Katarzyna says it's a fear that will never go away, but can lie dormant for a while until something happens. The journey that is taken is painful and nail biting with many close calls that can ultimately ruin each of the girls. I believe Ida Fink did an outstanding job using symbolism and narration t

A rare p.o.v.: Jews who flee into Germany

Reading Simon Weisenthal's obituary just before Fink's presumably autobiographically based novel, I was struck in both cases (as in Art Speigelman's Maus) how the protagonists had evaded certain doom over and over again, seemingly by chance. When the narrator, whose name changes so often that, by the end of the book, you like her may have forgotten her original identity, mulls over how her prayer was only "please not yet" in crisis and nothing more, you realize how much of a role fate had in who survived and who did not. The relentlessness of the extermination, here not in the camps but in everyday life for those who manage to disguise, if for a time, their Jewishness, reveals itself in the constant danger of exposure, not only by the Germans but by the Poles who might stumble upon the truth about the narrator and her accomplices from back home. Even as they escape the ghetto for Germany as slave laborers, they cannot fully trust their own fellow nationals. Accents, mundane details, imagined native cities and schools, catechisms, hymns and Christmas celebrations, relatives of potential informers who knew them in their homeland: all of these factors never ease but briefly, no matter how far they seem from their origins, posing as one invented character after another. This strain of brazenly acting--even before the Gestapo--so often as to (nearly?) obliterate one's true self makes the tension of this novel interiorized as well as represented in the often sparely but grippingly related events. I had heard an excerpt from this novel read on NPR, knowing nothing of the author, back on publication in 1992, and have never forgotten it. A small shortcoming is the telescoping of events at the close, and an afterward that seems too awkwardly expressed. But the force of this clearly told, unsentimentalized, and very immediate novel makes for a fresh take on events from a less memorialized perspective: of those who went underground within the Reich to survive. Ida Fink has written two other collections of sketches and stories based on real events, and deserves your attention for her careful craft.

Spellbinding

Ida Fink has written a memorable novel that appears to be autobiographical. She follows the wartime life of two sisters as they attempt to escape capture in wartime Germany. Her description of their encounters with ordinary German citizens as well as police and SS at times had me reaching for the next page to see if they made it. This book showed me another way that Jews survived WWII.

This book is full of hopeful thinking and adventure.

This book is full of life and adventures. It is a wonderful odyssey. It shows the horror of the Holocaust through a remarkable tale of two corageous sisters on the run from the Nazis. They keep their spirits high. They fight to live the little bit of life that they are aloud to have. They are determined to win the battle. The girls change their names and are sent away to Poland by their father. They use false papers and have a false story, that is they say they want to leave voluntarily. Their secret had been found out, but they kept strong and stubborn. They wouldn't let thierselves be beat. They held their heads up high and fought. They believed that, "It will work out somehow." This is what the oldest of the two had to keep reminding her scared younger sister. She would always say this "superstitiously cautious". Although on the outside things looked bad, they believed in their hearts that this statement really was true.