Winner of the 2004 ARSC Award for Best Research in Recorded Rock, Rhythm & Blues or Soul, The Holy Profane explores the strong presence of religion in the secular music of twentieth-century African American artists as diverse as Rosetta Tharpe, Sam Cooke, Stevie Wonder, Marvin Gaye, Earth, Wind & Fire, and Tupac Shakur. Analyzing lyrics and the historical contexts which shaped those lyrics, Teresa L. Reed examines the link between West-African musical...
Related Subjects
African-American Studies Arts, Music & Photography Ethnic Ethnic & International Ethnomusicology History & Criticism Music Musical Genres Other Religions, Practices & Sacred Texts Politics & Social Sciences Rap Religion Religion & Spirituality Religious & Sacred Music Social Science Social Sciences Soul Specific Demographics Spirituality