This provocative critique of Romantic discourse will profoundly affect how readers perceive not only the writers of the Romantic period, but also their most celebrated modern critics--such as de Man, Hartman, and McGann--who, as Professor Siskin points out, are themselves unwitting captives of the ideas and writing they criticize. With the Romantic redefinition of the self as a mind that grows, writing became an expressive index to that growth--the...