The Goblin and the Empty Chair

by Mem Fox

Book Overview

In a time long past, in a land far away, a family has suffered an unspeakable loss. But a lonely goblin has been watching. And he knows what to do to help them heal. From internationally acclaimed... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 1416985859
• ISBN13: 9781416985853
• Release Date: September 2009
• Publisher: Beach Lane Books
• Length: 32 Pages
• Weight: 1.05 lbs.
• Dimensions: 0.4" x 9.3" x 12.2"
• Age Range: 5 to 8 years
• Grade Range: Kindergarten to Grade 3

Customer Reviews

GET THIS BOOK!!!

I almost missed out on this great book because I was put off by the plot summary. Saving a seat for a goblin? But there is nothing unlikely or cute about this tale. Mem Fox has created a deeply meaningful book which should be read and then read again. Here's a book to put on the same shelf as Jon Muth's Three Questions.

A few tears

There are no kid-lit artists drawing more beautiful than the Dillons, period. And Mem Fox's story is just the right amount of sadness. On days when you feel a need to clear your sinuses, or just have a good straight-out eye-washing cry, this is the book.

Grief and Kindness

After Goblin sees his frightening reflection in a pond, he hides himself away for many lonely years to keep from frightening others. One day, however, he spies a farmer who, seemingly overcome with grief, leaves his work unfinished. Goblin comes in the night and finishes the farmer's tasks when he feels certain that no one will be watching. Ah, but the farmer, unable to sleep, watches from the window. Repeating this pattern with the farmer's wife and daughter, this story has all the finest fairy tale elements. The empty chair of the title is never explained, but the implication is that the family members are grieving for the person who once sat at the table with them. The exquisite, framed illustrations greatly expand the story. For instance, on the farmhouse walls, there are pictures of a boy. The illustrations also show that the green, but tall and elegant goblin always keeps the lower part of his face covered with a scarf. In the denouement, as Goblin finally sits in the empty chair, the family smiles as the girl unwinds the scarf. In the type of fascinating element that causes children to return to a story repeatedly, the illustrations never show the goblin's face. Beautiful and intriguing.

A Wonderful, Wonderful Book - we loved "Goblin and the Empty Chair

First let me say that "The Goblin and the Empty Chair" by Mem Fox, is not just a cute book that's a good read aloud. It is a book with a memorable story; a story with some real depth to it, and I am so thankful to be able to share this with my family. It begins with a well garbed goblin seeing his reflection in water and deciding that he is so scary that he will hide his face away from the world. What he cannot hide, however, is his good heart, and when he sees a farmer breakdown one day, drop his tools and bury his head in his hands, the Goblin decides he must act. Taking sympathy on the fellow the Goblin goes at night and "[H]e dug where digging was needed. He chopped where chopping was needed." And "[H]e painted where painting was needed. And was careful not to be seen." In a short course of time, something similar happens with the farmer's wife and the farmer's daughter. They are overwhelmed by their burdens, and in each case, the Goblin goes and does what needs to be done... quietly, and secretly. Or so he thinks. **if you don't like spoilers you might want to skip down to Talking Points** The book ends with the family sitting down for a meal. They look at the empty chair at their table. The mother gets up and gets a setting for it. The daughter then goes and opens the door, and they wait for the Goblin to join them. After some delay, he does, and then the little girl takes away the wrap that the Goblin has been using all these years to hide his face. Then they smile at one another and dine. I hardly ever go into so much detail in my reviews, but I felt compelled to do that for this book because it has such as lovely message. What I told my son and daughter -- and I think this is a book adults should talk about with children -- was that the Goblin hid away his face, but not his heart. He did good deeds and did not expect to be recognized and praised for them. And the farm family at the end of the book, accepted him and weren't frightened by his appearance because they saw him first through his deeds, and because he was such a good person, they could not be afraid of him. Talking Points::: When we finished this book, my 7 year-old son looked at me and said, "Mom, that was really good." And to me that is the best praise of all. The book 'moved' my child and made him think. o Delightful artwork. Diane and Leo Dillon have made the Goblin a wonderful and mysterious creature. o Excellent story with a message. o Very, very good read aloud. (I read the book alone, but it didn't really come alive until I read it out loud) Pam T~ mom and reviewer for BooksForKids-reviews (#1036)

A Perfect Picture Book

This is one of those remarkable picture books that stuns the reader into thinking, or perhaps saying out loud, "Wow. I better read this again." On the surface it is a tale of a goblin who despite his wealth and efforts to be helpful considers himself too ugly to participate at any level in the real world, so he hides himself away in his castle. Counterpoint to that is a family whose loss (while untold in the text but inferred by a picture on one page) is unspeakable and bottomless. They set an empty place at their table each night to commemorate their loss. But in this particular storypiece, they invite in the goblin. Will he or won't he? And is his ugliness as bad as all that? Swathed in a scarf, his green skin and long pointy fingernails notwithstanding, he is welcomed to the human table. We never do see his face. But we know that all will be well. The ending picture, the denouement, is the back cover, in which the goblin weclomes the family to his castle. The illustrations are stunning, subtle, with a "preview" frame above the main picture of each page serving as narrative sidebars to the text in this exquisite marriage of text and illustration. It is at its heart a story of how we all judge ourselves too ugly too fat too old too something and thus cut ourselves off from others. It is also a story of the power of pain to provoke acceptance, and that estrangement may (or may not) yield to hospitality and invitation. A mysterious, marvelous, perfect picture book, alchemical in its connection of text and art, transforming all elements into gold.