The Gates of Hell

by Paul Doherty

Book Overview

It is 334 BC. Alexander the Great and his troops march towards the strategically important city of Halicarnasus. But the city's commanders, Memnon of Rhodes, the Persian Orontobates, and the Greek... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 1841194972
• ISBN13: 9781841194974
• Release Date: January 2003
• Publisher: Constable
• Length: 352 Pages
• Weight: 1.35 lbs.

Customer Reviews

Another Winner for the Author

Paul Doherty is the consummate professional when it comes to writing historical novels. I for one do not know how he can be so prolific with his offering of books and yet make sure that each of them is well researched. Whether they be 13th, 14th, or fifteenth century they are always true to the period. He also writes about Ancient Egypt and now he has taken to writing about Alexander the Great. Paul Doherty has the rare talent of making you feel as though you are there, be it medieval England, or battling with Alexander. The sounds and smells of the period seem to waft from the pages of his books. It is still 334 BC, but the known world is beginning to realise that Alexander, is a special kind of man. Touched by the gods. Some even say born to a god. There is not an army in the ancient world that can stop him. There is not a King or an Emperor whose crown and land is safe. Alexander has crossed into Asia and is now marching south, conquering all in his path. His enemies know that he is heading for the jewel in the crown, the city of Halicarnassus. The city is said to be impregnable from attack and is strategically important too. Alexander cannot afford to by-pass the city and leave the rear of his army vulnerable to being attacked. But yet again as Alexander plans with his commanders how best to bring the city to its knees, yet another series of brutal killings begin. Alexander sees this as proof that the Persians have infiltrated not only his lines but have actually infiltrated his inner court. Once again Telamon, Alexander's trusted friend and physician is asked to apply his mind to solving the problem of the murders, but it is going to be no simple matter to find and destroy the traitors.

Great except for the very end

This is the first book by Doherty that I've read and I had no idea it was book three in a series. It's certainly good enough to make me want to go back and read the others, and the book doesn't require you to need to have read the first two if you know a little something about Alexander and his campaign. I thought the historical sense was excellent, though I think some inaccuracies were present, for example the first known corridor isn;t until Rome, and then not widely used until the 17th century, I thought, so the mention of them in the farmhouse is anachronistic. This is however, primarily a who dunnit through the point of view of the doctor, all while the build up to a city seige takes place. Though some of the everyday scenes are a bit clunky, the battle sequences are wonderful! My only disappointment was the ending, it was all a bit Scoobie Doo.

"Put the head in a basket and send it to the king."

It is 334 B.C., and Memnon of Rhodes, a mercenary, has been appointed Governor of Lower Asia by King Darius of Persia. Memnon's mission is to prevent Alexander the Great of Macedon from taking the important Persian city of Halicarnassus as easily as he has taken other Persian cities in his southward march through Asia Minor. With vivid sense imagery and a keen eye for detail, Doherty brings color and drama to the maneuvering by both sides as they get ready for the siege of Halicarnassus, a city of strategic importance, which overlooks the Aegean and the Greek islands. Using primary sources for much of his research, Doherty recreates the story of this ferocious and bloody battle. Ignoring the lofty, epic rhetoric of classic battles, he chooses instead a conversational tone, creating a sense of urgency and rapid movement in the narrative which matches the speed and drama of the action. His research, however serious it might be, is fully integrated into an exciting story, not imposed upon it, and gives a sense of harsh reality to events. His characters on both sides are memorable despite their large number, and his stunning descriptions of costume, customs, weaponry, and the frenzy of battle keep the reader almost breathless with anticipation. While the battle rages, both sides try to decipher a mysterious manuscript by Pythias, the architect of the walls around Halicarnassus, in which he supposedly reveals a secret weakness in the walls and the location of a treasure. Scribes and cryptographers work non-stop, the breaking of the code providing an underlying motive for a series of murders which take place within the battle drama. The murder mystery adds intrigue and excitement to the historical setting, but it is the siege itself, and the details of the war, which really bring the narrative to life. Catapults turning men and horses into torches, and the euthanasia of wounded men and horses convey the brutality of warfare, while the formality of movements and the parades of warriors in battle dress show the choreography within this brutality. In this testament of one of Alexander's most ferocious battles, the reader sees that though he can be brutal and quixotic, "Alexander has a genius. He seems to have been touched by fortune." Mary Whipple

Doherty continues his Alexander quest

In this, the third of his series with Alexander the Great as his featured subject, PaulDoherty appears to have grasped the atmosphere, the spirit of the times, and the aura of royal intrigue of 334 BC. Alexander has now marched to the outskirts of Halicarnassus, the most formidable fortress city on the Persian-held coast. Alexander has already met--and routed--the forces of King Darius in an earlier battle but he has not defeated the Persians, yet. This city appears to be the thorn in his side (after all, he'd already solved the Gordian Knot puzzle!). Enter Doherty to make this scene his own in "The Gates of Hell."This is a historical mystery and the premise that you have to have a dead (or missing) body arises early and Alexander's personal sleuths Telamon the physician and his lovely and willing (but, so far, not in THAT way) assistant Cassandra must pit their skills and brains against yet another dangerous murderer. As readers of the previous two in the series know, Telamon is a companion of Alexander's from his childhood, as well as his personal and trusted physician.Again (for Doherty), it's another "locked room" death and, once again, the author solves the unsolvable.At the base of all this intrigue is the Pythian Manuscript, believed to hold the secretof capturing Halicarnassus (among other things). To decipher would be the triumph of the time, or so one is told. It is written in such a secret code that, so far, the top cryptologists have been unable to get anywhere. Alas, the first body is that of young Pamenes, who's found dead in his locked room and Telamon begins his work. Of course, it is not long before other murders are committed, a plethora of "clues" is presented, and the solution seems impossible. Along the way, Doherty has treated us to a welcomed accounting of the men and the times, brutality and beauty alike. The author's penchant for historical detail is a plus. Doherty's mysteries generally run predictable but that does not take away from the satisfaction of reading him. He does seem more comfortable in his English mysteries, but "The Gates of Hell" shows great maturity and his many, many fans will add thisto their favorites. (Billyjhobbs@tyler.net)

"Put the head in a basket and send it to the king."

It is 334 B.C., and Memnon of Rhodes, a mercenary, has been appointed Governor of Lower Asia by King Darius of Persia. Memnon's mission is to prevent Alexander the Great of Macedon from taking the important Persian city of Halicarnassus as easily as he has taken other Persian cities in his southward march through Asia Minor. With vivid sense imagery and a keen eye for detail, Doherty brings color and drama to the maneuvering by both sides as they get ready for the siege of Halicarnassus, a city of strategic importance, which overlooks the Aegean and the Greek islands.Using primary sources for much of his research, Doherty recreates the story of this ferocious and bloody battle. Ignoring the lofty, epic rhetoric of classic battles, he chooses instead a conversational tone, creating a sense of urgency and rapid movement in the narrative which matches the speed and drama of the action. His research, however serious it might be, is fully integrated into an exciting story, not imposed upon it, and gives a sense of harsh reality to events. His characters on both sides are memorable despite their large number, and his stunning descriptions of costume, customs, weaponry, and the frenzy of battle keep the reader almost breathless with anticipation. While the battle rages, both sides try to decipher a mysterious manuscript by Pythias, the architect of the walls around Halicarnassus, in which he supposedly reveals a secret weakness in the walls and the location of a treasure. Scribes and cryptographers work non-stop, the breaking of the code providing an underlying motive for a series of murders which take place within the battle drama. The murder mystery adds intrigue and excitement to the historical setting, but it is the siege itself, and the details of the war, which really bring the narrative to life. Catapults turning men and horses into torches, and the euthanasia of wounded men and horses convey the brutality of warfare, while the formality of movements and the parades of warriors in battle dress show the choreography within this brutality. In this testament of one of Alexander's most ferocious battles, the reader sees that though he can be brutal and quixotic, "Alexander has a genius. He seems to have been touched by fortune." Mary Whipple