The Fine Art of Cabinetmaking

by James Krenov

Book Overview

Learn to elevate and perfect your cabinetmaking skills! Sharing his legendary techniques for coopered doors, dowelling, dovetail joints, frame-and-panel work, latches, hinges, fittings, and other... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0442245556
• ISBN13: 9780442245559
• Release Date: January 1977
• Publisher: Van Nostrand Reinhold Company
• Length: 192 Pages
• Weight: 2.06 lbs.

Customer Reviews

Learning From A Perfectionist

James Krenov is one of woodworking's treasures - an acknowledged master craftsman who is open about both his aesthetics and his techniques. For many of us he is a role model who started out on a shoe string in Sweden and has gone on to create a whole style all his own. He is as devoted to teaching as he is to his work and has a gift for inspiration and straightforward exposition. Unlike A Cabinet Maker's Notebook, The Fine Art of Cabinet Making spends most of its time talking about technique. The first 50 pages is a vast, rambling essay on wood and how to relate to it. His point, an important on, is that the process of selecting and using wood is every bit as important and any other creative process. If you pay attention you will get a deep dive into the way Krenov's designs come to be - a whole new level beyond buying some dimensioned lumber and whipping up a cabinet. Then he introduces you to his workshop and tools. Krenov actually does use power tools, but sparingly. Many of us have been taught to value the clean, sharp edged work that a modern power woodshop can produce. Krenov is just the opposite, to him the marks of craftsmanship are part of the harmony of the work. Krenov makes his own planes, and spends a great deal of time explaining how to do the same yourself. I have to admit I'm quite happy with my Lie-Nielson's, but one has to admire the intensity of a man who wants everything 'just so.' The remainder of the book covers details of Krenov's cabinetmaking, and it is here that you discover the extent of his quality. Whether it be dovetails, delicately curved doors, or cabinet backs, Krenov never settles for less than the best he can do. I admit to a few moments of extreme jealousy when he explains that he never clamps dovetail joints, but, as his discussion demonstrates, his attention to detail is such that he shouldn't have to use clamps. I just wonder how many years of practive it will take to accomplish the same thing. For all that this is a technically focused book, it is also an inspiring one. A book that will have you eyeing potential lumber completely differently, and making yourself take the time to get things right.

Classic stands thre test of time

Krenov's famous cabinetmaking techniques layed bare, July 8, 1998 Reviewer: A reader from Toronto This, Krenov's second book (1976), is the book that they still want you to have when you show up at the College of the Redwoods for Krenov's course. The book is devided into three parts: wood, tools and the shop, and cabinetmaking techniques. It sets out his techniques for mortice and tenon joints, dovetails, HANDPLANE CONSTRUCTION, and much more. The handplane section was so influential that several courses are taught on this subject alone, accross the country.This book is indispensible for the serious woodworker. That said it is just a little dated since obviously a lot has changed in twenty plus years. Krenov labours close to the soul of cabinetaking, however, and a lot less has changed there than elsewhere. An obvious change is that Krenov's essential few power tools are now much cheaper to buy than they then were. But modern workers will probably assume that he now sharpens his tools with waterstones. Not so! As he recently revealed in a national magazine, and his reasoning is as sound as ever.At a deeper level perhaps, the craft has become dominated by projects and production on the one hand, and arty self-congratulatory stuff on the other. In the old days there was another path, that of extrodinary quality and technical virtuosity. Few follow this path today due to cost, a skills shortage, and some lessened desire to have furniture which belongs in the boudoir of the Sun King. Krenov is one of the few who has written about another way: A sensitivity to wood, tools, and one's own heart.This book is the most how-to of his essential trilogy. If that turns you on, try the Impractical Cabinetaker next, lots more "project" tips. If you like his philosophy of craft try The Cabinetaker's Notebook.Mentioned above is the idea that the instruction on dovetailing has been covered better elsewhere. It is true that there are some funky tactics that were necesary 20 years ago, that aren't with the explosion of great hand tools today. On the other hand while there are tons of instructions on how to hack out some dovetails, there aren't many from the perspective of folks who join hardwoods like Pear and Ebony, and then sell the results for 20K. These metal hard woods demand a different approach than for pine boxes, and you won't find that information in many other texts.

Essential Reading for the Serious student

This is the most helpful and inspiring book on the topic. It provides not only extremely useful how-to information, it prepares any serious student, no matter what skill level, for the proper mind set in which to create fine work. Mr Krenov is the absolute master

Krenov's famous cabinetmaking techniques layed bare

This, Krenov's second book (1976), is the book that they still want you to have when you show up at the College of the Redwoods for Krenov's course. The book is devided into three parts: wood, tools and the shop, and cabinetmaking techniques. It sets out his techniques for mortice and tenon joints, dovetails, HANDPLANE CONSTRUCTION, and much more. The handplane section was so influential that several courses are taught on this subject alone, accross the country.This book is indispensible for the serious woodworker. That said it is just a little dated since obviously a lot has changed in twenty plus years. Krenov labours close to the soul of cabinetaking, however, and a lot less has changed there than elsewhere. An obvious change is that Krenov's essential few power tools are now much cheapper to buy than they then were. But modern workers will probably assume that he now sharpens his tools with waterstones. Not so! As he recently revealed in a national magazine, and his reasoning is as sound as ever.At a deeper level perhaps, the craft has become dominated by projects and production on the one hand, and arty self-congratulatory stuff on the other. In the old days there was another path that of extrodinary quality, and technical virtuosity. Few follow this path today due to cost, a skills shortage, and some lessened desire to have furniture which belongs in the boudoir of the Sun King. Krenov is one of the few who has written about another way.This book is the most how-to of his essential trilogy. If that turns you on, try the Impractical Cabinetaker next, lots more "project" tips. If you like his philosophy of craft try The Cabinetaker's Notebook.

Reflective of the art, the craft and the material

this is not a "how to" book of woodworking, you will find no blue prints or schematicts. this book is however, highly informative and illuminating. Krenov speaks of his strong feelings for the craft and the nature and spirit of the wood itself. His reflections are inspring and reach beyond woodworking as mearly a means to an end. This book is good reading for both the novice and the expert of crafts. I highly recommend it.