Fall V223

by Albert Camus

Book Overview

This is a love story of a leprosy patient who suffered the disease at the end of XIX century, when the cause of the leprosy was attribute to a divine punished.This novel was written based on facts taken from the history of medicine and of leprosy. The characters are fictitious, although real patients and facts inspired them.

• Format: Paperback
• Language: English
• ISBN: 0394702239
• ISBN13: 9780394702230
• Release Date: January 1957
• Publisher: Vintage Books USA
• Length: 147 Pages
• Weight: 0.26 lbs.

Customer Reviews

The Fall

I am not reviewing the story as I haven’t read it yet but I’m so disappointed in the book. I bought this under the impression that I was getting the black and white cover that is a hallmark of Camus books. That is the book cover image that was shown. I didn’t receive that one but a totally different one.

The Classic French Existential Novel

Barely more than a hundred pages, "The Fall" represents Albert Camus' ultimate foray into the recesses of psychic anguish. Jean-Baptiste Clamence, a once-respected and successful Paris barrister, sits alone in an Amsterdam bar delivering his stark monologue to an unknown listener. It is a confessional narrative, a tale in which Clamence slowly unravels the spare facts of his life, his deceptions, his inauthenticity, his bad faith. As he sits in the dimly lit bar, Clamence makes the locus of his telling a metaphor for the narrative to follow: "We are at the heart of things here. Have you noticed that Amsterdam's concentric canals resemble the circles of hell? The middle-class hell, of course, peopled with bad dreams. When one comes from the outside, as one gradually goes throught those circles, life-and hence its crimes-becomes denser, darker. Here we are in the last circle." It is a metaphor that resonates with existential imagery, reminiscent of Sartre's claim, in "No Exit", that "hell is other people." From this grim place, Camus writes a classic of Existentialist literature, building on this metaphor, writing an extended trope of unremitting self-examination, self-doubt and anguish.Clamence was, by all outward appearances, both a virtuous and a modest man. His courtesy was famous and beyond question. He was generous in public and private, literally exulting at the approach of a beggar. He helped the blind man cross the street and the indigent defendant secure a reduced sentence. He ended his afternoons at the café with "a brilliant improvisation in the company of several friends on the hard-heartedness of our governing class and the hypocrisy of our leaders." But appearances give lie to the truth, for the truth in "The Fall" is that life has no meaning, that it is full of ennui, and that people act unthinkingly, inauthentically, habitually. Thus, Clamence reflects on a man he knew, a man "who gave twenty years of his life to a scatter-brained woman, sacrificing everything to her," only to realize in the end that he never loved her. How does Clamence explain this? "He had been bored, that's all, bored like most people." And from this boredom, the man married and created "a life full of complications and drama." For, as Clamence suggests, "something must happen-and that explains most human commitments."Clamence describes himself, too, as "a double face, a charming Janus," for his motives and feelings, his very psyche, belie his outward virtue. While outwardly supporting the poor and downtrodden, he is "well aware that one can't get along without dominating or being served, [for] every man needs slaves as he needs fresh air." While known as a defender of justice, a great Parisian lawyer, his "true desire" is not "to be the most intelligent or the most generous creature on earth, but only to beat anyone [he] wanted to, to be the stronger." While professing deep love and affection for the many women in his life, he is a misog

Camus at his best

Aside from being Camus' crowning literary achievement, this work could also be viewed as one of the most important works of twentieth century literatue. It is also perhaps the most representational fictional work in the existensialist genre, far surpassing the work of Sartre. The Fall, aside from being a great work, is a masterful technical achievment, and a lesson in character development and dialogue. The plot revolves around a Parisian Lawyer by the name of Jean-Baptiste Clamence and his conversation with an anonymous man at an Amsterdam bar. As the story progresses the reader is gradually overwhelmed by the lawyers increasingly serious confessions. With no scenery to distract you the intensity of the conversation grows with each admission. In his simple confession and out pouring of emotion we see a successful, seemingly content man, gradually transformed and reduced into an alienated, and shattered human being, a mere shell of the individual that he once strived to be. This book is similar to "The Stranger" in the way that the psychological tension continues to build, moving towards the final disheartening enlightenment. But, unlike "The Stranger" there is no closure for the subject or release from torment, only endless confession; not only for his individual crimes, but for those of all humanity. One can only speculate on how Camus would have continued this line of inquiry if he hadn't been tragically killed in an automobile accident at the age of 46. As it is we can only continue to enjoy and contemplate what he left behind. For as long as literature exists writers will continue to delve into the recesses of the human psyche and attempt to provide a flicker of light in, an all to often, dark world. After reading this book I can say that Camus accomplished this like few writers ever had, and will always be a sobering light amid the confusion of an often absurd world.

Authentically Camus

This spare and lucid novella is one of Camus' finest. The extended monologue format is intriguing, and the fact that it was a rather nasty send-up of many of the existentialists with whom Camus had had a falling-out was especially marvelous. One is reminded of Dostoevsky's The Underground but, Camus' message is far easier to swallow. La Chute can't help but confirm Camus' brilliance as a writer.

Forget The Stranger. This is the man's masterpiece.

Soon after publishing The Fall, Albert Camus won the Nobel Prize for Literature. On the strength of this book alone, he deserved it. As a novel, The Fall improves upon its two predecessors, The Stranger and The Plague, in almost every way. The writing itself is much more confident, full of scathing wit and eloquent outrage. The intertwining of artistic aim and philosophical conviction is utterly seamless. Neither is compromised, as they were at times in the earlier works. Rather, both art and philosophy are employed here to serve the STORY. In short, The Fall delivers on what Camus had always promised- a masterful work of literature that also FORCES the reader to examine his/her life.Jean-Baptiste Clamence is a "good guy." He uses his abilities as a lawyer to protect the poor and weak. When asked, he helps blind people across the street. Wherever one finds a righteous cause, he appears to support it. He is a well-respected member of the community. Could one truly find SERIOUS fault with such a person? Well, as of late, Clamence has had a slight problem: he has felt the need to be honest, both with others and himself. The truth often leads people to strange places, and so Clamence, formerly rich and recently disgraced, finds himself at a sailors' bar in Amsterdam. Here, he finally comes clean about his life and his actions (one and the same, possibly?). He's no criminal, surely not, or not the WORST kind anyway. His crime is much more insidious, and it consists of what we are all guilty of: he is two-faced. His purest acts of selflessness are actually forms of self-deception, for they mask that in the end, he is really satisfying himself. The purest altruism hides a secret loathing of those he "helps"; the deepest, most self-sacrificial love conceals a seething desire to dominate. In this dingy bar, Clamence unburdens himself, not just of his "crimes," but of the author's (catch the quote at the beginning of the book) and humanity's too. Only a strong (and dishonest) reader can finish this book without cringing in self-recognition at the daily hypocrisies that add up to the modern human condition. Camus does not necessarily counsel despair though. At different points in The Fall, one can see the ever-present potential of humanity to better itself. What Camus does doubt though is the general willingness of people (himself included) to make the personal choices needed to truly bring ABOUT this "betterment." The Fall is not entirely bleak reading. In several places, it is laugh-out-loud funny (No! Surely not sober Camus...), displaying the humour of a barroom Voltaire. Moreover, few could fail to delight in the sheer craft and elegance of the author's prose. Still, the book does raise searing questions about how to live (or waste) one's life. If one has been "sleepwalking" before reading The Fall, it will be almost impossible to do afterwards. Wake up with this brilliant, unsparin

a man tels his lifetime story to another frenchman in a cafe

the book is good written but the story itsselfs is a bit dull and also a bit unbelievebale but i recommend anybody to read this book for school because the book has only 77 pages!!!!!