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Paperback Eternal Footman Book

ISBN: 015601081X

ISBN13: 9780156010818

Eternal Footman

(Book #3 in the Godhead Series)

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Format: Paperback

Condition: Very Good

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Book Overview

The Eternal Footman completes Morrow's darkly comic trilogy about God's untimely demise. With God's skull in orbit, competing with the moon, a plague of "death awareness" spreads across the Western hemisphere. As the United States sinks into apocalypse, two people fight to preserve life and sanity. One is Nora Burkhart, a schoolteacher who will stop at nothing to save her only son, Kevin. The other is the genius sculptor Gerard Korty, who...

Customer Reviews

6 ratings

Uncorrected proof

Ordered the hardcover and I received an uncorrected proof that was moldy I had to throw away my purchase

The best of the 3!

As with the other 2 books in this trilogy, I couldn't put it down. I thoroughly enjoyed this last book, which was the most nontheism-in-action. "Abbadon" got a bit bogged down in the philosophical for my tastes, whereas this book had a straightforward narrative with few forays into the philosophy. The Corpus Dei now the malevolent Craneo Dei, hovers over the book like a wraith. The struggles of Gerard and Nora compelled me to find out how it would end. And bringing back Anthony Van Horne and Cassie Fowler caused this reader to smile. There are a couple of "Rowlingesque" touches in this book. Naming Nora's fetch "Goneril" was a wonderful stroke, and the scene with God's Entrails was literate South Park. I howled intermittently through this book (which was a problem as I read it at my cubicle at work). Also the visions of the future were hopeful and refreshing. I liked that there was commentary about today's big issues. One thing that's unfortunate, but I'll mention it. This book was written before 9/11. I wonder how Morrow's future work will alter its course after the disaster. Coming up with a post-organized religion way of life, as well as a postcorporate world is becoming more and more urgent. Possibly even emergent. I couldn't help but think about 9/11 through the trilogy, perhaps inevitably because the towers were prominent in "Towing Jehovah" as the Valparaiso passed them on its way out to sea.

The Most Complex Addition to the Trilogy

"The Eternal Footman," the final book in James Morrow's Jehovah Trilogy, serves as an interesting capstone to the series. It's much different from the other books; not so much about psychology or philosophy, it's more a re-telling of the tale outlined in The Book of Revelation, although with an obvious Morrow twist. As such, it might not appeal to the same kinds of readers that the other two books attracted, but "Footman" is in no way a lesser book because of it.Years after the trial at The Hague, God's body disassembled itself piece by piece, His intestines swimming through the ocean like a gigantic snake and His skull sits in geosynchronous orbit over Times Square. The Vatican rents His skull for advertisers, so people are treated to Microsoft and Coca-Cola ads 24/7. But, it causes other problems as well... In Nora's struggle and the development of the Temple in Mexico, Morrow reveals the ultimate philosophical lesson in his Jehovah Trilogy: that human value should not be created by external things, even God. It's what Nietzsche referred to as the "metaphysics of the hangman," and is echoed by those who claim that if there is no God, there is no point in living. That is what the plague victims seem to think, and that is what the Antichrist seeks to capitalize on. It is also what God wants humans to grow beyond. It's the ultimate religious/existential lesson, one that Kierkegaard, Nietzsche, and even Heidegger stressed in their works. It is also one of the most complex philosophical concepts to communicate, and Morrow manages to do it in one novel (actually, the setup was there through all the books).Old characters are brought back, and new ones introduced. Like "Blameless," "Footman" is a walk in the forest to read, pleasant and dense without being oppressive. Morrow again finds the correct mix of story and philosophy by which to tell his tale, and by so doing weaves as juicy and delicious a narrative for which one could ask. "Footman" is much heavier than his other works, and is not simply the tongue-in-cheek satire of the first two volumes. ...

A challenge to us all

Well, there's so much to say about this book. It isn't simply satire, and those who didn't think it was "funny enough" aren't getting it. This book is a *challenge*. Can we live without the gods? *Dare* we live without gods?Yes.I cannot reccommend this book highly enough. Honestly, I think if everyone read Morrow's trilogy, especially this final book, we wouldn't have to worry about maintaining the wall of seperation between church and state; the wall would crumble from disuse, because there'd be no more church to protect the state from. Maybe I'm taking the book more seriously than even the author intended it, but if so, what the heck. I think this book is a perfect wake-up call to society itself, a "Parable for the Post-Theistic Age" every bit as potent as the ones the plot revolves around.

Best of Three!

Of the three novels in Morrow's GodHead Trilogy (Towing Jehovah, Blameless in Abaddon, Eternal Footman), The Eternal Footman was the best. The trilogy has been a fantastic, mind-expanding experience. I am very pleased to see that Morrow made this one to satisfy the desires of loyal readers, yet also constructed something amazing. Thanks

After great sadness, a sudden stillness comes...

James Morrow has a formidable reputation among fantasists. This is the man who's willing to take on the Old Testament (Bible Stories For Adults), the idea that lying is better than telling the truth (City of Truth), the atom bomb (This is the Way the World Ends), and even God Himself (Towing Jehovah and Blameless in Abaddon). It's my pleasure to report that James Morrow's deepseated grief and anger with how unpleasant people, and philosophy, can be to other people is still alive and well (unlike, of course, God, in this third book of a trilogy). There are a few familiar faces from Morrow's other work that turn up in this book- both friendly and not so friendly. The book is surprising- and at the risk of spoilering slightly, it's unlikely that you will anticipate the ending-- though it is impossible to imagine the book (and the trilogy) ending any other way. A truly wonderful book, from a truly questioning mind. Mark Twain would be proud.
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