The Elegance of the Hedgehog

by Muriel Barbery and Barbery M Muriel Barbery

Book Overview

The phenomenal New York Times bestseller that "explores the upstairs-downstairs goings-on of a posh Parisian apartment building" (Publishers Weekly). In an elegant h tel particulier in Paris, Ren e,... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 1933372605
• Release Date: September 2008
• Publisher: Europa Editions
• Length: 325 Pages
• Weight: 0.93 lbs.
• Dimensions: 8.5" x 1.0" x 5.6"

Customer Reviews

Intelligent and Elegant

This might just be my favorite book, I could not recommend it enough! I laughed out loud and cried when it ended. The characters may annoy you a little at first (especially Paloma), but they will grow on you fast. I found this at an estate sale, but needed to come leave a good review for you all:)

A Beautiful, Elegant Book

"The Elegance of the Hedgehog" is a great book, written with stylistically lovely prose and biting wit. It's very much a character-driven book with little plot, but once the characters begin to grab you, you'll be hooked. This was one of the best books I've read in the last few months - definitely one to pick up on your next order.

Wisdom from very unexpected sources

The author, a former teacher of philosophy, examines the assumptions and absurdities of class-based French society through the voices of two intellectual residents of an upper-middle class apartment building in Paris consisting of eight families, though both of them have managed to conceal their erudition. Renee, fifty-four years old, has been the concierge of the building for twenty-seven years, and during that time has transformed herself into the equivalent of a scholar in art, philosophy, and literature while maintaining the outward appearances and habits of a peasant woman. Paloma Josse is a precocious twelve-year-old who sees through the follies, obsessions, and illusions of her family members and other building residents, though, like Renee, she keeps her observations well guarded. Through short, alternating chapters that consist of the musings and observations of first Renee and then Paloma, the reader learns of the nature of Parisian society and the inconsequentiality of those of humble origins to those of considerable wealth. Indeed, Renee learned at an early age that coming to the attention of elites usually results unnecessary suffering. Both Paloma and, especially, Renee infuse their observations of life with references to art and literature. Despite any obscurity, their insights are quite astute and often acerbic. The story gains impetus when a wealthy Japanese man, Kakuro Ozu, moves into the apartment building after a resident's death. Since both Renee and Paloma appreciate Japanese culture, not to mention Renee's knowledge of literature, Kakuro senses that they are kindred souls. Subsequent socialization with Kakuro is both thrilling and enervating to Renee, as she knows that she has overstepped her social station, despite reassurances from Kakuro. This is definitely a thinking person's novel. Life's ironies, absurdities, and cruelties are explored. It is very interesting to watch these characters work through them. A modicum of happiness is achieved through their understandings. It would be hard to argue that these characters are not highly improbable, despite their abilities to capture us. Yet, perhaps we could hope that they could exist. The philosophical nature of the book may be tiresome to some, but the author keeps the almost non-stop reflecting moving well by shifting the voices frequently. It all does reach a thought-provoking conclusion.

Be forewarned: To finish reading this book is like losing a friend.

They will sneak up on you--the dumpy autodidact concierge and the precocious suicidal rich kid whose journal entries and essays comprise this novel---and they will steal your heart, if you'll let them. I say let them. It probably won't be like that for you at first. Far from it, most likely. As the character Paloma likes to say, let me explain: At first you probably won't much like either one of them. You may find them pretentious, warped and entirely too self involved to merit your interest. But stick with their story and I promise you that by about a third of the way through, when Mr. Ozu arrives on the scene, your negativity will have deserted you and in fairly short order you'll become so hooked that one part of you will want to keep reading straight through to the end while another part will want to slow down and down and down so you'll never get there. To fall in love with this incredible novel, it'll probably help if you have something of a philosophical bent, even if it's long buried and you have to dig a bit to unearth it. Also a love of beauty; yes, perhaps, most especially, a love of beauty. And though they're in no way similar except for being great novels that happen to have a kindly, arts-loving Japanese electronics entrepreneur as a key character, I'd be willing to bet that anybody who loved Ann Patchett's "Bel Canto" will also love this one. I know I'll read this again. I envy you the chance to read it for the first time. Five stars are not enough. Addenda 12/08: If you read Pulitzer Prize winning critic Michael Dirda's uncredited Washington Post review quoted above, and I recommend you do, you'll not be surprised to learn that this book made The Post's book section's top 5 list in fiction for 2008.

"Art is life playing to other rhythms."

(4.5 stars) With sales of over half a million copies in Europe, this clever novel, newly released in the United States, may make Muriel Barbery as much of a literary phenomenon here as she is there, despite the novel's unusual focus on philosophy. Narrator Renee Michel is a fifty-four-year-old woman who has worked for twenty-seven years as concierge of a small Parisian apartment building. A "proletarian autodidact," Renee grew up poor and quit school at age twelve, but throughout her life she has studied philosophy secretly, searching for knowledge about who she is and how she fits into the grand scheme of life. Grateful for her job, she finds it prudent to keep her rich intellectual life hidden from the residents, maintaining the façade of the perfect concierge, someone who lives in a completely different world from them. Alternating with Renee's thoughts about her life and studies, are the musings of Paloma Josse, a twelve-year-old who lives in the apartment building, the daughter of wealthy parents who have active professional lives. Like Renee, Paloma pretends to be just average, carefully constructing her own façade so that she can fit in at school, though she has the intellectual level of a senior in college. Ignored by her parents and her school, Paloma plans to commit suicide on her thirteenth birthday. As the lives of Renee and Paloma unfold and overlap, the rough parallels in their lives become obvious, both in their isolation and in their need to hide their talents. When one of the apartment residents dies, Kakuro Ozu, whom Renee thinks may be related to the Japanese film maker that she most admires, moves in. Paloma, too, is impressed with Ozu, bemoaning the fact that he has moved in just as she has decided to kill herself. When Ozu suspects that Renee is not what she seems to be, he wants to know her better, and as Ozu confides in Paloma, Paloma begins to feel hope for the future. Barbery is a skilled writer who artfully combines the philosophy of Renee's studies--from Husserl: Basic Writings in Phenomenology, to The Dilemma of Determinism and Kant's Idealism--with aesthetics and the desire of both Renee and Paloma to find beauty in art and poetry. Always, however, she remembers that this is a story, with characters who must appeal to the reader. As the characters begin to change, the reader understands them and the forces that have made them the people they are, hoping for their happiness. Motifs from Japanese film and the novels of Tolstoy combine with images celebrating the perennial beauty and death of flowers, especially the camellia, adding universality and connecting the characters to broader artistic themes. Thoughtful, ironic, and often darkly humorous, the novel creates moods which bring the characters vividly to life, even as they are contemplating death and the deepest of life's mysteries. n Mary Whipple

Beauty is truth

You are smart, but unschooled, a daughter of the poorest illiterate peasantry. Over the decades you have read your Marx and Kant, appreciated Mozart, immersed yourself in 17th century Dutch painting. You smuggle literature home in your shopping bag along with the turnips and cat food. You are Renee Michel and a concierge in a Left Bank apartment block serving the rich. You are an invisible drab, and no-one must ever suspect. You are precociously intelligent but only twelve and a half. Your sister, studying for her Masters degree at the Sorbonne, is a `beautiful person' of barren soulless talent. Your mother is a vacuous socialist snob while your father is a senior Government official hiding behind his role. You know from Dawkins and all the rest that life is just a pointless primate struggle to reproduce your genes. Surrounded by so much empty posturing and mediocrity, what is the point? You are Paloma Josse and you are determined to commit suicide on your 13th birthday. A particularly loathsome apartment owner dies and someone new moves in. Wealthy, cultured and thoroughly civilised, perhaps Renee and Paloma, in their daily deceptions, have finally encountered someone they can't hoodwink. Primary certainties are reworked as the story moves to its shocking conclusion. This is a beautiful piece of work: erudite, laugh-out-loud humorous and tragic by turns. It can't have been easy for Alison Anderson to capture in English the sophistication of Muriel Barbery's writing, but she's made a fine job of it. Recommended.

Heartrending yet marvellous

"The Elegance of the Hedgehog" transcends excellence. It is one of those rare books with a special inner quality that makes you ponder over life in a way only very few others can. After turning the last page, I was left staring into space, feeling bereft. I wished there was more to read, yet its ending befitted the whole tale. I now understand why it received so many wonderful reviews in France recently and why it became such a literary success. It fully deserves it. Just a brief summary, as described by both main characters -Renée and Paloma - introducing themselves in the beginning of the book, which is written in a diary form by each. Paris, present day. Renée is the widowed concierge of an elegant building in an exclusive area. Its inhabitants all belong to the upper class. She is, by her own admission, dowdy, unattractive, often grumpy and wants everybody to believe that she is the stereotype of all concierges, blending into the background, almost featureless. But Renée has a well-kept secret: she is an extremely cultured autodidact. She loves art, philosophy, literature, music. Aestheticism and beauty in all of its forms fascinate her. Renée keeps concealing this aspect of her life to the outside world, hiding behind the concierge's screen -literal and metaphorical-. Paloma is a twelve-year-old who lives in the building with her rich family. She is distractedly well-loved by her parents and does not get along with her older sister. Paloma is an extremely bright, clear-headed, lucid child. She is so lucid it is uncomfortable -yet to the reader she also conveys tenderness, and her wittiness is remarkable- . She pretends to be the average adolescent, yet despises what she considers the subculture of her peers and does not see any sense in continuing living. Her view of life is very disillusioned, disenchanted, sardonic. She decides to commit suicide on her 13th birthday. Renée and Paloma could not be more different, yet their way of looking at life is often very similar. Their paths never cross, if not by sight, until the day a new tenant moves into the building and... I cannot add anything else, the tale would definitely be spoiled. In my opinion, this book is not your typical beach-read, it deserves to be savoured slowly and quietly if possible. Yet it is a page-turner and I myself have devoured it. Often heartbreaking, yet unbelievably funny in parts. Real humour pops up unexpectedly, which renders the reading even more pleasant and lightens some heart-knotting situations. The narrative flows beautifully and is linguistically refined. Ladies and Gentlemen, get your tissues ready if you must, but do read this book. It shall touch you profoundly yet you will not regret having read it.