The Dreaming God

by Kenji Fushimi, Moe Azuchi, Toya Tachihara, et al.

A who's-who of Japanese horror fiction, featuring some of the finest writers in Japan today. The fourth and last volume of the series, with a new selection of eerie masterpieces to delight and chill you.

• Format: Paperback
• Language: English
• ISBN: 4902075148
• ISBN13: 9784902075144
• Release Date: May 2020
• Publisher: Kurodahan Press
• Length: 346 Pages
• Weight: 0.90 lbs.
• Dimensions: 0.8" x 5.0" x 8.0"

Customer Reviews

Vol. IV in a fine series

Sadly, this is the 4th book of the four-volume series entitled "Lairs of the Hidden Gods," meaning that I've come to the end. But it was a great ride. If you are interested in gaining another perspective on Lovecraft's work and legacy, then you must indeed make these four volumes part of your reading experience. I can definitely recommend all four very highly. As to volume four, overall a very fine collection...some were a bit weird even for my taste (which can be way out there)...a bit more graphic than in the other three at times. However, it's a mixed bag, and all are well written and will get your blood racing. Contents of Volume Four (The Dreaming God) are: "Quest of the Nameless City," by Tachihara Toya: done in three parts -- you may want to be familiar with "Journey to the West" prior to reading this (at least go read something about that work) because the characters in this story come right out of that work. But here we find our characters in a redo of "Trail of Cthulhu" by August Derleth, with a twist. Very well written and one of the highlights of this volume. "A Night in Exham Lodge," by Kurasaka Kiichiro: set in the indomitable English countryside, an American politician goes to spend time with an actress in her home, and gets a lesson on the true meaning of life. I left this story with a big "uh-oh" resounding in my head -- a kind of "be warned" alarm going off. I know it's just fiction, but sheesh...scary stuff. "...Which Art in Heaven", by Azuchi Moe: This one was a wee bit bizarre, and hackle raising. A young woman who spent her childhood in an orphanage often wonders about a strange scar. The nuns in the orphanage aren't talking. Later, when the truth emerges, it's enough to make you gasp. "Inside Out," by Tomonari Jun'ichi: A Japanese writer named Daisuke spends his days trying to be creative, only to be disrupted by "one of his closest friends" named Chau-chan. Whenever she's around, his writing time is disrupted. But he can't get rid of her. "Inside Out" is the story of how she came to live in his apartment, going back to the time he took a trip to Fiji. I won't say more, but you may want to go easy on your cups of kava. "Quagmire," by Iino Fumikiko: A man who ultimately ends up going mad, set off by a newspaper item that tells of a man's death, leaves behind a record of how he got on the road to madness. It seems it all started when he went to visit his aunt in a hotel, then meets a beautiful woman. Very well written, and it was enough to send a shiver or two up my spine. "Rshanabi Street," by Fushimi Kenji: A young man works for a company where a fellow worker has just been fired after thirty years of service. He wants to track him down, and remembers that his friend spoke a lot about Rshanabi Street, so he goes to find him. But it's one of those places that is off the map, so to speak, and it took some doing to find it. Once there, it is equally difficult for the narrator to find his way out. This one was very good